目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | Canon 1. a 2Canon cancrizans | 00:01:58 38M |
| 2 | Canon 2. a 2 Violini in unisono | 00:00:53 18M |
| 3 | Canon 3. a 2 per Motum contrarium | 00:00:56 17M |
| 4 | Canon 4. a 2 per Augmentationem, contrario Motu | 00:01:16 25M |
| 5 | Canon 5. a 2Canon circularis per Tonos | 00:05:59 119M |
| 6 | Fuga canonica in Epidiapente | 00:02:32 52M |
| 7 | Ricercar a 3 | 00:06:12 132M |
| 8 | Canon perpetuus super Thema Regium | 00:00:59 19M |
| 9 | Ricercar a 6 | 00:07:27 156M |
| 10 | Quaerendo InvenietisCanon a 2 | 00:01:18 25M |
| 11 | Canon a 4 | 00:02:30 52M |
| 12 | Sonata sopra il Soggetto RealeLargo | 00:05:49 120M |
| 13 | Sonata sopra il Soggetto RealeAllegro | 00:05:57 126M |
| 14 | Sonata sopra il Soggetto RealeAndante | 00:03:27 68M |
| 15 | Canon perpetuus | 00:02:40 54M |
| 16 | Aria | 00:02:25 48M |
| 17 | No. 1. Canon simplex | 00:00:32 10M |
| 18 | No. 2. All’ roverscio | 00:00:33 10M |
| 19 | No. 3. Beede vorigen Canones zugleich, motu recto e contrario | 00:00:33 10M |
| 20 | No. 4. Motu contrario e recto | 00:00:29 9M |
| 21 | No. 5. Canon duplex a 4 | 00:00:33 11M |
| 22 | No. 6. Canon simplex über besagtes Fundament a 3 | 00:00:35 11M |
| 23 | No. 7. Idem a 3 | 00:00:26 8M |
| 24 | No. 8. Canon simplex a 3, il soggetto in Alto | 00:00:34 11M |
| 25 | No. 9. Canon in unisono post semifusam a 3 | 00:00:31 11M |
| 26 | No. 10. Canon duplex übers Fundament a 5 | 00:00:44 13M |
| 27 | No. 11. Canon duplex über besagte Fundamental Noten a 5 | 00:01:02 21M |
| 28 | No. 12. Canon triplex a 6 | 00:00:36 12M |
| 29 | No. 13. Canon a 4 per Augmentationem et Diminutionem | 00:00:52 17M |
| 30 | I. Largo | 00:03:04 64M |
| 31 | II. Vivace | 00:00:59 21M |
| 32 | III. Adagio | 00:02:14 45M |
| 33 | IV. Presto | 00:01:44 34M |
专辑简介
巴赫《音乐的奉献》作于1747年，彼时他到柏林看望他的爱子卡尔·菲利普·艾曼纽·巴赫(Carl Philip Emanuel Bach)，腓德烈大帝请他到宫中献艺。他根据腓德烈大帝所给主题，即兴创作演奏寻求曲（Ricercare，略长的赋格），使大帝赞叹不已。从柏林回莱比锡后，巴赫根据腓德烈大帝所给主题作成一套作品献给大帝，并亲笔作了献词。巴赫出版的乐谱并没有明确规定乐曲的演奏顺序和乐器的演奏方式，一些大调的记谱非常简略，只有几个音符和一些神秘的拉丁文线索。因此，铃木正明（Masaaki Suzuki）和他带领的日本巴赫学院（Bach Collegium Japan），在诠释这部作品时拥有不同寻常的自由度。
