目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | La Muerte del angel | 00:02:56 57M |
| 2 | Histoire du Tango (History of the Tango) (arr. D. Varelas for violin and piano) I. Bordel 1900 | 00:03:58 78M |
| 3 | Histoire du Tango (History of the Tango) (arr. D. Varelas for violin and piano) II. Cafe 1930 | 00:06:46 130M |
| 4 | Histoire du Tango (History of the Tango) III. Nightclub 1960 | 00:05:04 98M |
| 5 | Histoire du Tango IV. Concert d’aujourd’hui | 00:02:34 51M |
| 6 | Melodia in A Minor (arr. T. Cotik for violin and piano) | 00:02:54 54M |
| 7 | 2 Piezas Breves: No. 1. Tanguango | 00:03:15 60M |
| 8 | Milonga sin Palabras (arr. for violin and piano) | 00:05:14 96M |
| 9 | Maria de Buenos Aires: Fuga y misterio | 00:03:23 64M |
| 10 | Ave Maria, “Tanti anni prima (arr. for violin and piano) | 00:04:05 75M |
| 11 | Maria de Buenos Aires: Yo soy Maria (arr. T. Cotik for 2 violins and piano) | 00:03:06 63M |
| 12 | Oblivion (arr. T. Cotik for 2 violins and piano) | 00:03:32 68M |
| 13 | Aire de la Zamba Nina (arr. T. Cotik for violin and piano) | 00:02:36 49M |
| 14 | Le Grand Tango (arr. S. Gubaidulina for violin and piano) | 00:07:32 150M |
| 15 | Libertango (arr. T. Cotik for violin and piano) | 00:01:50 36M |
专辑简介
传奇表演者和作曲家阿斯托尔-皮亚佐拉的探戈是在多元文化背景下成长起来的，他将古典、爵士、摇滚和克莱兹梅尔音乐的影响引入到独特的新探戈风格中，至今听起来仍然新鲜和现代。探戈史》总结了探戈的整个演变过程，《大探戈》是一首技艺高超的惊艳之作，而《男人的旋律》表达了深刻的个人动荡。著名的阿根廷小提琴家Tomas Cotik的特别安排还包括Oblivion和Libertango，这是Piazzolla最流行和最持久的两首作品。
