目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | Six Moravian Choruses I. The Slighted Heart | 00:01:14 11M |
| 2 | Six Moravian Choruses II. The Pledge of Love | 00:01:16 11M |
| 3 | Six Moravian Choruses III. Forsaken | 00:01:33 14M |
| 4 | Six Moravian ChorusesIV. Parting without Sorrow | 00:01:12 10M |
| 5 | Six Moravian Choruses V. The Wild Rose | 00:03:06 27M |
| 6 | Six Moravian Choruses VI. Trust | 00:03:19 30M |
| 7 | The Wild Duck (Kačena divoká) | 00:03:38 31M |
| 8 | The Wolf’s Trail (Vlčí stopa) | 00:07:32 65M |
| 9 | Elegy on the Death of My Daughter Olga (Elegie na smrt dcery Olgy) | 00:07:35 62M |
| 10 | Říkadla I. Introduction | 00:00:34 5M |
| 11 | Říkadla II. The beetroot got married | 00:01:29 14M |
| 12 | Říkadla III. There’s nothing better than springtime | 00:01:11 10M |
| 13 | Říkadla IV. The mole creeps | 00:01:14 10M |
| 14 | Říkadla V. Karel rode off to hell | 00:00:37 6M |
| 15 | Říkadla VI. Ragged trousers | 00:00:29 4M |
| 16 | Říkadla VII. Franta the knacker’s son | 00:00:58 9M |
| 17 | Říkadla VIII. Our dog, our dog | 00:00:34 5M |
| 18 | Říkadla IX. I preach, I preach a sermon | 00:01:01 9M |
| 19 | Říkadla X. The old woman was casting spells | 00:00:39 5M |
| 20 | Říkadla XI. Ho, ho, off go the cows | 00:01:08 10M |
| 21 | Říkadla XII. My tiny little wife | 00:00:37 5M |
| 22 | Říkadla XIII. Granny’s crawled into the elder bush | 00:00:21 3M |
| 23 | Říkadla XIV. The white goat’s picking up the pears | 00:00:39 5M |
| 24 | Říkadla XV. Grumpy German broke the pots | 00:00:44 7M |
| 25 | Říkadla XVI. Nanny goat’s lying in the hay | 00:00:46 6M |
| 26 | Říkadla XVII. Vašek, the rascal, the drummer boy | 00:00:46 7M |
| 27 | Říkadla XVIII. Frantík, Frantík | 00:00:22 3M |
| 28 | Říkadla XIX. The bear sat on a log | 00:01:35 15M |
| 29 | On an Overgrown Path, Series I I. Our evenings | 00:04:11 35M |
| 30 | Varyto, JW 8/3 | 00:04:55 43M |
| 31 | Otče náš, JW 4/29 | 00:16:08 147M |
专辑简介
雅纳切克的合唱作品汲取了极为丰富的民歌和民间故事作为素材。作曲家从波希米亚和摩拉维亚的传统中汲取了特色鲜明的民间舞蹈和质朴的儿歌，还借鉴了同胞安东宁·德沃夏克最近出版的《摩拉维亚二重唱》。雅纳切克用这些素材表达了一种复杂的情感，这种情感永远在欢快与忧郁之间摇摆不定，就像他那低沉的和声一样。在这里，我们见证了一种音乐语言的诞生，这种语言虽然根植于中欧，但在将近一个世纪的时间里，投射出了一种普遍情感的光环。
