目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | Cello Sonata No. 2, Op. 58 – I. Allegro assai vivace (2024 Remastered Version) (Felix Mendelssohn-Bartholdy) | 00:07:48 73M |
| 2 | Cello Sonata No. 2, Op. 58 – II. Allegretto scherzando (2024 Remastered Version) (Felix Mendelssohn-Bartholdy) | 00:04:33 43M |
| 3 | Cello Sonata No. 2, Op. 58 – III. Adagio (2024 Remastered Version) (Felix Mendelssohn-Bartholdy) | 00:05:32 51M |
| 4 | Cello Sonata No. 2, Op. 58 – IV. Molto allegro e vivace (2024 Remastered Version) (Felix Mendelssohn-Bartholdy) | 00:06:41 62M |
| 5 | Bourée Auvergnate in A (2024 Remastered Version) (Marie-Joseph Canteloube de Malaret) | 00:02:09 20M |
| 6 | Après un rêve, Op. 7, No. 1 (Transcribed for Cello by Pablo Casals) (2024 Remastered Version) (Gabriel Fauré) | 00:02:43 26M |
| 7 | Organ Concerto, Op. 4, No. 3: Movement I (Arranged for Cello and Piano by Emanuel Feuermann) (2024 Remastered Version) (Georg Friedrich Händel) | 00:03:16 30M |
| 8 | Organ Concerto, Op. 4, No. 3: Movement II (2024 Remastered Version) (Georg Friedrich Händel) | 00:04:04 37M |
| 9 | 12 Variations from Mozart’s Die Zauberflöte, Op. 66 (2024 Remastered Version) (Ludwig van Beethoven) | 00:08:47 76M |
| 10 | Introduction and Polonaise brillante, Op. 3 (2024 Remastered Version) (Frédéric Chopin) | 00:08:46 79M |
| 11 | 4 Pieces, Op. 20: 2. Am Springbrunnen (2024 Remastered Version) (Carl Davidoff) | 00:03:31 33M |
| 12 | Organ Toccata in C Major, BWV 564: 2. Adagio (2024 Remastered Version) (Johann Sebastian Bach) | 00:03:25 34M |
| 13 | Après un rêve, Op. 7, No. 1 (Transcribed for Cello by Pablo Casals) [Alternate Take 5] (2024 Remastered Version) (Gabriel Fauré, Pablo Casals) | 00:02:42 27M |
| 14 | Arioso – “Dank Sei Dir, Herr” (2024 Remastered Version) (Georg Friedrich Händel) | 00:03:48 39M |
| 15 | Litanei, D. 343 (2024 Remastered Version) (Franz Schubert) | 00:04:40 44M |
专辑简介
这张专辑收录了传奇奥地利大提琴家伊曼纽尔·费尔曼（Emanuel Feuermann）为RCA Victor录制的作品，共15首，这些作品首次以专辑的形式从原始母带中转录。
伊曼纽尔·费尔曼短暂的职业生涯主要在德国度过，直到在1933年解除了他在柏林音乐学院的职务，五年后他移居美国，将大提琴演奏艺术提升到了新的高度。尤金·奥曼迪曾表示，费尔曼的大提琴演奏向指挥家揭示了音乐的真正含义。美国评论家、钢琴家兼作曲家杰德·迪斯勒（Jed Distler）曾说：“费尔曼拥有一切：一种强烈而专注的音调，以富有表现力的手法演奏，控制得当，光滑而多变的拉弦，业内最熟练的左手（多么轻松的双音！），完美的演奏和无可挑剔的音乐审美。”音乐学家理查德·塔鲁斯基（Richard Taruskin）写道：“他演奏的任何作品都会印刻在你的记忆中。”
