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Kalevi Aho: Sting Quartets 1-3

Kalevi Aho: Sting Quartets 1-3

目录

#曲目时长

1

Richard III., Op. 11, JB 1:7012:27
2Wallenstein’s Camp, Op. 14, JB 1:7214:29
3Hakon Jarl, Op. 16, JB 1:7915:06
4String Quartet No. 1 in E Minor, JB 1:105 (Arr. for Orchestra by George Szell) I. Allegro vivo appassionato07:35
5String Quartet No. 1 in E Minor, JB 1:105 (Arr. for Orchestra by George Szell) II. Allegro moderato à la polka05:46
6String Quartet No. 1 in E Minor, JB 1:105 (Arr. for Orchestra by George Szell) III. Largo sostenuto08:45
7String Quartet No. 1 in E Minor, JB 1:105 (Arr. for Orchestra by George Szell) IV. Vivace06:11
8Festive Symphony in E Major, Op. 6, JB 1:59 I. Allegro vivace10:11
9Festive Symphony in E Major, Op. 6, JB 1:59 II. Largo maestoso09:51
10Festive Symphony in E Major, Op. 6, JB 1:59 III. Scherzo. Allegro vivo09:52
11Festive Symphony in E Major, Op. 6, JB 1:59 IV. Finale. Allegro non troppo ma energico11:15
12Má vlast, JB 1:112 I. Vysehrad14:46
13Má vlast, JB 1:112 II. Vltava11:44
14Má vlast, JB 1:112 III. Šárka09:31
15Má vlast, JB 1:112 IV. From Bohemian’s Woods and Fields12:14
16Má vlast, JB 1:112 V. Tábor11:24
17Má vlast, JB 1:112 VI. Blaník13:55

专辑简介

Finnish composer Kalevi Aho has produced a considerable and varied body of work that continues to grow rapidly. Aho first tackled the genre of string quartet at the very beginning of his composing career, more than fifty years ago, and has only recently returned to it. Aho was only 18 when he completed his String Quartet No. 1 in 1967. Self-taught at the time, Aho took his inspiration from the essentially tonal music he played on the violin or heard on the radio. The Second Quartet was composed in 1970, during his second year of studies at the Sibelius Academy in Helsinki with Einojuhani Rautavaara and uses fugue technique in each of its movements. The first performance of the quartet received excellent reviews and marked a minor breakthrough for Aho as a composer.

The Third Quartet dates from the following year and marks the end of Aho’s studies with Rautavaara. In this work Aho’s personal language begins to emerge, although the influence of Shostakovich can also be heard. The work was a great success and has been performed more often than any of his other chamber compositions. The three string quartets are performed here by the Stenhammar Quartet, one of Scandinavia’s leading string quartets, whose extensive repertoire gives prominence to contemporary music from the Nordic countries.

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