目录
| # | 曲目 | 时长 |
|---|---|---|
1 | 6 Sonatas, Op. 3 I. Sonata Prima: La Stella | 04:30 |
| 2 | 6 Sonatas, Op. 3 II. Sonata Seconda: La Cest | 07:03 |
| 3 | 6 Sonatas, Op. 3 III. Sonata Terza: La Melana | 05:37 |
| 4 | 6 Sonatas, Op. 3 IV. Sonata Quarta: La Castella | 07:24 |
| 5 | 6 Sonatas, Op. 3 V. Sonata Quinta: La Clemente | 08:33 |
| 6 | 6 Sonatas, Op. 3 VI. Sonata Sesta: La Sabbatina | 07:31 |
| 7 | 6 Sonatas, Op. 3 Il Raimondo | 03:41 |
| 8 | 6 Sonatas, Op. 3 Il Mauritio | 03:47 |
| 9 | 6 Sonatas, Op. 3 Il Catalano | 06:43 |
| 10 | 6 Sonatas, Op. 3 Il Monforti | 01:20 |
| 11 | 6 Sonatas, Op. 4 I. Sonata Prima: La Bernabea | 06:18 |
| 12 | 6 Sonatas, Op. 4 II. Sonata Seconda: La Viviana | 05:41 |
| 13 | 6 Sonatas, Op. 4 III. Sonata Terza: La Monella Romanesca | 06:12 |
| 14 | 6 Sonatas, Op. 4 IV. Sonata Quarta: La Biancuccia | 07:57 |
| 15 | 6 Sonatas, Op. 4 V. Sonata Quinta: La Stella | 04:51 |
| 16 | 6 Sonatas, Op. 4 VI. Sonata Sesta: La Vinciolina | 06:56 |
专辑简介
His life, shrouded in mystery, offers plenty of room for speculation and fantasy: Large parts of Giovanni Antonio Pandolfi Mealli\’s biography lie in unexplored and now probably also unexplorable darkness; he appears in various places, first secured in Innsbruck in 1660, then in Upper and Central Italy, he is preceded by a legendary reputation as a violin virtuoso, he publishes violin works, apparently without worrying about a stringent opus narrative, and it probably comes to a dramatic climax when he kills a fellow musician in a dispute in Messina in 1675 and then flees to France and finally to Madrid. His sonatas are no less fascinating: To many they did indeed seem \’baroque\’, i. e. overloaded and bizarre, but today we recognise in them a fascinating link between the virtuoso Italian and the southern German-Austrian baroque instrumental style, with it\’s typical harsh contrasts and surprise effects. Daniel Sepec and his colleagues present them with their usual precision.
