目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Concerto in D Major (after Vivaldi), BWV 972 I. Allegro | 00:02:11 |
| 2 | Concerto in D Major (after Vivaldi), BWV 972 Larghetto | 00:03:25 |
| 3 | Concerto in D Major (after Vivaldi), BWV 972 III. Allegro | 00:02:17 |
| 4 | Concerto in G Major (after Vivaldi), BWV 973 I. Allegro assai | 00:02:36 |
| 5 | Concerto in G Major (after Vivaldi), BWV 973 II. Largo | 00:02:31 |
| 6 | Concerto in G Major (after Vivaldi), BWV 973 III. Allegro | 00:02:28 |
| 7 | Concerto in D Minor (after Marcello), BWV 974 I. Andante | 00:03:12 |
| 8 | Concerto in D Minor (after Marcello), BWV 974 II. Adagio | 00:04:06 |
| 9 | Concerto in D Minor (after Marcello), BWV 974 III. Presto | 00:03:45 |
| 10 | Concerto in G Minor (after Vivaldi), BWV 975 I. Allegro | 00:03:01 |
| 11 | Concerto in G Minor (after Vivaldi), BWV 975 II. Largo | 00:04:06 |
| 12 | Concerto in G Minor (after Vivaldi), BWV 975 III. Giga | 00:01:42 |
| 13 | Concerto in C Major (after Vivaldi), BWV 976 I. Allegro | 00:03:39 |
| 14 | Concerto in C Major (after Vivaldi), BWV 976 II. Largo | 00:03:46 |
| 15 | Concerto in C Major (after Vivaldi), BWV 976 III. Allegro | 00:03:15 |
| 16 | Concerto in F Major (after Vivaldi), BWV 978 I. Allegro | 00:02:26 |
| 17 | Concerto in F Major (after Vivaldi), BWV 978 II. Largo | 00:02:45 |
| 18 | Concerto in F Major (after Vivaldi), BWV 978 III. Allegro | 00:02:29 |
| 19 | Concerto in G Major (after Vivaldi), BWV 980 I. Allegro | 00:03:43 |
| 20 | Concerto in G Major (after Vivaldi), BWV 980 II. Largo | 00:04:11 |
| 21 | Concerto in G Major (after Vivaldi), BWV 980 III. Allegro | 00:02:32 |
| 22 | Concerto in C Minor (after Marcello), BWV 981 I. Adagio | 00:02:26 |
| 23 | Concerto in C Minor (after Marcello), BWV 981 II. Vivace | 00:01:57 |
| 24 | Concerto in C Minor (after Marcello), BWV 981 III. Adagio | 00:02:50 |
| 25 | Concerto in C Minor (after Marcello), BWV 981IV. Prestissimo | 00:04:51 |
专辑简介
这张专辑汇集了巴赫为意大利同代作曲家安东尼奥·维瓦尔第的器乐协奏曲所做的所有大键琴改编作品，并加入了阿莱桑德罗和贝内代托·马尔切洛兄弟的各一部协奏曲。维瓦尔第的协奏曲选自三部作品集：《和谐的灵感》Op. 3、《异想天开》Op. 4，以及《五重奏协奏曲》Op. 7，这些作品都是维瓦尔第早期创作的，那个时期他正逐步建立在音乐界的声誉。这些协奏曲由荷兰出版商出版，使其得以进入北欧，扩大了其影响力，并加深了维瓦尔第风格的传播。正如《新格罗夫音乐大辞典》所言，《和谐的灵感》是“18世纪上半叶最具影响力的音乐出版物”。
巴赫为何选择将这些维瓦尔第的协奏曲改编为键盘乐曲？一种解释是，巴赫通过转录这些协奏曲来进行自我教育，后来将这些新颖的思想融入如《意大利风格协奏曲》等作品中；另一种解释是巴赫可能纯粹因为对这些作品的喜爱而进行实验。德国学者阿诺德·谢林认为，巴赫的改编作品是为实际演奏而作，是“为了音乐爱好者的心灵享受”。
