目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | La dernière nuit | 00:08:08 79M |
| 2 | Zippy! | 00:04:02 38M |
| 3 | 6 Riffs After Ovid: No. 1, Maceo Parker “Pan” | 00:01:42 16M |
| 4 | 6 Riffs After Ovid: No. 2, Buddy Holly “Phaeton” | 00:02:03 19M |
| 5 | 6 Riffs After Ovid: No. 3, Joni Mitchell “Niobe” | 00:02:47 24M |
| 6 | 6 Riffs After Ovid: No. 4, Jim Morrison “Bacchus” | 00:01:32 16M |
| 7 | 6 Riffs After Ovid: No. 5, Prince “Narcissus” | 00:01:50 16M |
| 8 | 6 Riffs After Ovid: No. 6, Aretha Franklin “Arethusa” | 00:02:43 27M |
| 9 | Peppercorn Suite: I. Black | 00:01:38 14M |
| 10 | Peppercorn Suite: II. Pink | 00:02:30 21M |
| 11 | Peppercorn Suite: III. Green | 00:01:58 17M |
| 12 | Peppercorn Suite: IV. White | 00:02:04 20M |
| 13 | Frost: I. Erik Prelude | 00:02:40 26M |
| 14 | Frost: II. Annika | 00:03:38 31M |
| 15 | Frost: III. Karl | 00:01:48 17M |
| 16 | Frost: IV. Adrienne | 00:02:46 24M |
| 17 | Frost: V. Erik Postlude | 00:01:50 18M |
| 18 | Flight Mode | 00:04:16 37M |
| 19 | Boon Bestowed: I. Sir Joan – Possibility | 00:03:38 39M |
| 20 | Boon Bestowed: II. Malala – Knowledge | 00:01:58 19M |
| 21 | Boon Bestowed: III. The Madonna – Life | 00:02:46 26M |
| 22 | Boon Bestowed: IV. Queen M.P. Johnson – Justice | 00:02:33 26M |
专辑简介
印第安纳波利斯萨克斯管演奏家塞西莉·特胡恩（Cecily Terhune）在她的首张突破流派界限的专辑《赋予的恩惠 (Boon Bestowed)》中一头扎进了对英雄主义的探索。特胡恩利用约瑟夫·坎贝尔（Joseph Campbell）开创性的神话理论中阐述的原则，创造了一个引人入胜的音乐微观世界，邀请听众作为大胆的主角站在舞台中央。
该理论如下： 人类历史上的大多数神话都有一个原型英雄，他响应号召，穿越超自然世界。在经历了力量和性格的蜕变之后，女主人公带着物质和/或非物质的恩惠回到她的社区。当人们惊叹于《赋予的恩惠》中萨克斯风的多样性和精湛技艺时，不禁会想，特胡恩自己可能也曾穿越过哪些超自然的世界。
