目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio | 00:15:16 |
| 2 | Piano Concerto No. 1 in C Major, Op. 15: II. Largo | 00:09:50 |
| 3 | Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro | 00:08:38 |
| 4 | Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio | 00:14:08 |
| 5 | Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio | 00:08:52 |
| 6 | Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Allegro molto | 00:05:51 |
| 7 | Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio | 00:17:49 |
| 8 | Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | 00:10:02 |
| 9 | Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro | 00:09:28 |
| 10 | Triple Concerto, Op. 56: I. Allegro | 00:17:19 |
| 11 | Triple Concerto, Op. 56: II. Largo | 00:04:53 |
| 12 | Triple Concerto, Op. 56: III. Rondo alla Polacca | 00:12:57 |
专辑简介
Although Beethoven is often regarded as the revolutionary composer par excellence, Reed Tetzloff sets out here to highlight his above all \’evolutionary\’ musical approach.
The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument, also being the only concerto he wrote for cello.
With the Prague Philharmonic Orchestra under Pawel Kapula, Reed Tetzloff gives a fine account of these two very expressive compositions, the introspective and reflective Fourth Concerto and the epic Fifth (“Emperor”) Concerto, representing as it were two different facets of the Romantic hero. These two ground-breaking works took drama to a hitherto unprecedented level.
