目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | Suite No. 1 for violoncello in G Major, BWV 1007：I. Prélude | 00:02:09 42M |
2 | Suite No. 1 for violoncello in G Major, BWV 1007：II. Allemande | 00:03:02 59M |
3 | Suite No. 1 for violoncello in G Major, BWV 1007：III. Courante | 00:02:18 45M |
4 | Suite No. 1 for violoncello in G Major, BWV 1007：IV. Sarabande | 00:01:38 31M |
5 | Suite No. 1 for violoncello in G Major, BWV 1007：V. Menuet 1 & 2 | 00:02:10 42M |
6 | Suite No. 1 for violoncello in G Major, BWV 1007：VI. Gigue | 00:01:15 24M |
7 | Arabesque No. 1 in E Major, L. 66 | 00:04:05 76M |
8 | Suite No. 2 for violoncello in D Minor, BWV 1008：I. Prélude | 00:02:23 44M |
9 | Suite No. 2 for violoncello in D Minor, BWV 1008：II. Allemande | 00:01:51 35M |
10 | Suite No. 2 for violoncello in D Minor, BWV 1008：III. Courante | 00:02:09 40M |
11 | Suite No. 2 for violoncello in D Minor, BWV 1008：IV. Sarabande | 00:02:38 48M |
12 | Suite No. 2 for violoncello in D Minor, BWV 1008：V. Menuet 1 & 2 | 00:01:50 35M |
13 | Suite No. 2 for violoncello in D Minor, BWV 1008：VI. Gigue | 00:01:48 34M |
14 | Impromptu in A Flat Major, Op. 142 No. 2 | 00:03:21 61M |
15 | Suite No. 3 for violoncello in C Major, BWV 1009：I. Prélude | 00:02:52 54M |
16 | Suite No. 3 for violoncello in C Major, BWV 1009：II. Sarabande | 00:02:56 55M |
17 | Suite No. 3 for violoncello in C Major, BWV 1009：III. Courante | 00:02:51 54M |
18 | Suite No. 3 for violoncello in C Major, BWV 1009：IV. Sarabande | 00:02:21 43M |
19 | Suite No. 3 for violoncello in C Major, BWV 1009：V. Bourrée 1 & 2 | 00:02:35 49M |
20 | Suite No. 3 for violoncello in C Major, BWV 1009：VI. Gigue | 00:02:27 47M |
21 | Jalak Suren | 00:05:09 96M |
22 | Solo V – Sentir Rapaz! | 00:07:31 143M |
专辑简介
大卫·莫利纳(David Moliner)通过《马林巴》专辑呈现了这件独特乐器及其丰富的音色变化。莫利纳精湛的改编技巧与两首专为马林巴而作的原创新作，引领听众开启跨越世纪的听觉之旅。专辑收录了不同时代与风格的作品，尤为瞩目的是他对约翰·塞巴斯蒂安·巴赫《大提琴组曲》的改编——运用四支琴槌营造出全新的复调织体，将巴赫的律动韵律与音乐复杂性融入马林巴特有的音色之中。除巴洛克经典外，专辑还收录了克劳德·德彪西与弗朗茨·舒伯特的作品。莫利纳为德彪西《阿拉伯风格曲》赋予新维度，让马林巴在细腻如画的音景中绽放；而经他改编的舒伯特《即兴曲》，则通过乐器独特的音质展现出诗意美感与表现深度。当代作曲家亚历山大·利伯曼受印尼鸟鸣启发创作的《贾拉克·苏伦》是另一亮点，莫利纳的演绎激活了作品中微妙的旋律与节奏结构，使马林巴化身为音乐自然画卷的叙述者。专辑以莫利纳原创的马林巴作品收尾，印证了马林巴不仅是异域风情的乐器，更是古典音乐领域的正式成员，能够诠释从巴洛克到现代的作品。
