目录
| # | 曲目 | 时长 |
|---|---|---|
1 | No. 1, Im wunderschönen Monat Mai (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:01:35 |
| 2 | No. 2, Aus meinen Tränen sprießen (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:00:52 |
| 3 | No. 3, Die Rose, die Lilie (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:00:33 |
| 4 | Fantaisie, Op. 79 | 00:05:01 |
| 5 | I. Andantino | 00:01:50 |
| 6 | II. Allegro | 00:03:10 |
| 7 | Dichterliebe, Op. 48 | 00:03:37 |
| 8 | No. 5, Ich will meine Seele tauchen (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:00:52 |
| 9 | No. 7, Ich grolle nicht (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:01:26 |
| 10 | No. 8, Und wüssten’s die Blumen (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:01:18 |
| 11 | Violin Sonata in A Major, FWV 8 (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:28:54 |
| 12 | I. Allegretto ben moderato | 00:06:28 |
| 13 | II. Allegro | 00:08:33 |
| 14 | III. Recitativo-Fantasia. Ben moderato | 00:07:50 |
| 15 | IV. Allegretto poco mosso | 00:06:01 |
| 16 | Dichterliebe, Op. 48 | 00:07:56 |
| 17 | No. 10, Hör’ ich das Liedchen klingen (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:02:23 |
| 18 | No. 14, Allnächtlich im Traume (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:01:15 |
| 19 | No. 16, Die alten, bösen Lieder (Transcr. for Flute and Piano by F. Chatoux & Lutxi Nesprias) | 00:04:17 |
| 20 | Sonata Undine in E Minor, Op. 167 | 00:21:39 |
| 21 | I. Allegro | 00:07:29 |
| 22 | II. Intermezzo. Allegretto vivace | 00:03:39 |
| 23 | III. Andante tranquillo | 00:03:55 |
| 24 | IV. Finale. Allegro molto agitato ed appassionato, quasi presto | 00:06:33 |
专辑简介
In ‘Romances tardives’, Frédéric Chatoux and Lutxi Nesprias boldly combine masterpieces from the original flute repertoire, Reinecke’s Ondine Sonata and Fauré’s Fantaisie, with transcriptions of Franck’s Violin Sonata and Schumann’s Dichterliebe. Their collaboration is marked by great complicity and sheds new light on these major works of the Romantic repertoire, exploring the full expressive range of the modern flute.
