目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Prelude and Fugue: No. 1 in C Major, BWV 846 | 00:04:21 |
| 2 | Prelude and Fugue: No. 2 in C Minor, BWV 847 | 00:04:03 |
| 3 | Prelude and Fugue: No. 3 in C-Sharp Major, BWV 848 | 00:03:43 |
| 4 | Prelude and Fugue: No. 4 in C-Sharp Minor, BWV 849 | 00:09:19 |
| 5 | Prelude and Fugue: No. 5 in D Major, BWV 850 | 00:03:25 |
| 6 | Prelude and Fugue: No. 6 in D Minor, BWV 851 | 00:03:59 |
| 7 | Prelude and Fugue: No. 7 in E-Flat Major, BWV 852 | 00:06:47 |
| 8 | Prelude and Fugue: No. 8 in E-Flat Minor, BWV 853 | 00:10:24 |
| 9 | Prelude and Fugue: No. 9 in E Major, BWV 854 | 02:24 |
| 10 | Prelude and Fugue: No. 10 in E Minor, BWV 855 | 00:03:42 |
| 11 | Prelude and Fugue: No. 11 in F Major, BWV 856 | 00:02:51 |
| 12 | Prelude and Fugue: No. 12 in F Minor, BWV 857 | 00:06:59 |
| 13 | Prelude and Fugue: No. 13 in F-Sharp Major, BWV 858 | 00:03:44 |
| 14 | Prelude and Fugue: No. 14 in F-Sharp Minor, BWV 859 | 00:05:28 |
| 15 | Prelude and Fugue: No. 15 in G Major, BWV 860 | 00:04:12 |
| 16 | Prelude and Fugue: No. 16 in G Minor, BWV 861 | 00:05:31 |
| 17 | Prelude and Fugue: No. 17 in A-Flat Major, BWV 862 | 00:04:46 |
| 18 | Prelude and Fugue: No. 18 in G-Sharp Minor, BWV 863 | 00:06:16 |
| 19 | Prelude and Fugue: No. 19 in A Major, BWV 864 | 00:03:51 |
| 20 | Prelude and Fugue: No. 20 in A Minor, BWV 865 | 00:05:58 |
| 21 | Prelude and Fugue: No. 21 in B-Flat Major, BWV 866 | 00:03:15 |
| 22 | Prelude and Fugue: No. 22 in B-Flat Minor, BWV 867 | 00:07:29 |
| 23 | Prelude and Fugue: No. 23 in B Major, BWV 868 | 00:03:08 |
| 24 | Prelude and Fugue: No. 24 in B Minor, BWV 869 | 00:13:36 |
专辑简介
*该专辑为多码率混合制式
44.1kHz/16bit：
Prelude and Fugue No. 8 in E-Flat Minor, BWV 853
其他为96kHz/24bit
罗莎·塔玛尔齐娜（Rosa Tamarkina），1920年出生于基辅，早年进入基辅音乐学院师从郭尔德堡（N.M.Goldberg）。1932年入选莫斯科音乐学院主导的\”青少年精英培训团\”，成为全国选拔的12名音乐神童之一（含4位小提琴手与8位钢琴家），同期成员包括吉列斯兄妹。后师从莫斯科音乐学院教授亚历山大·戈登威泽深造，并跟随叶夫根尼·戈卢别夫学习作曲。
1950年7月，26岁的塔玛尔齐娜在莱比锡巴赫国际音乐比赛中获得第一名。其卓越演奏直接启发作曲家肖斯塔科维奇（时任赛事评委）创作《24首前奏曲与赋格》Op.87，该关联性在1974年访谈中得到本人确认。1991年发行的该作品完整版专辑中，她通过踏板调整与终止式延迟等细腻处理展现了独特的艺术诠释。
