目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Symphony No. 6 in F Major, Op. 68 “Pastoral”:I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | 00:10:49 |
2 | Symphony No. 6 in F Major, Op. 68 “Pastoral”:II. Szene am Bach. Andante molto moto | 00:13:52 |
3 | Symphony No. 6 in F Major, Op. 68 “Pastoral”:III. Lustiges Zusammensein der Landleute. Allegro | 00:06:01 |
4 | Symphony No. 6 in F Major, Op. 68 “Pastoral”:IV. Gewitter. Sturm. Allegro | 00:04:10 |
5 | Symphony No. 6 in F Major, Op. 68 “Pastoral”:V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | 00:10:10 |
6 | Egmont, Op. 84:Overture | 00:09:11 |
专辑简介
On-going high-resolution re-issues of Carlo Maria Giuini’s discography, with one of is finest achievements in Beethoven’s music.rattling industrial boom of “Love Crimes” through to “Stereo Boy,” with its squelching, futuristic synths and detached, floating vocals, twigs crafts an otherworldly sonic experience that explores the erotic thrill of falling in love with life itself.
Themes of freedom, pleasure and maximizing every moment recur—Wwhether it’s “Slushy” playing out like a dreamy reading of twigs’ gratitude journal, the slow, syrupy hip-hop beats of “Cheap Hotel” (co-written with enigmatic production outfit Two Shell), or “Piece of Mine,” beginning with glitchy beats and whispering tones before evolving into smooth, seductive R&B. In anchoring the innovation with shrewd pop sensibilities—see also: garage-influenced PinkPantheress collaboration “Wild and Alone” and “HARD,” a raunchy dance cut that invokes echoes of Janet Jackson—twigs strikes the perfect balance between her underground roots and her well-measured transition into the mainstream. “Sushi,” five-and-a-half minutes of thumping groove and an earworm chorus which sees twigs narrate a week-long date (dancing! Paris! Pilates!), is perhaps the best example of her ability to straddle the line between both worlds—a clear standout with limitless replay value.























