试听
目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
21st Century Schizoid Man (Including “Mirrors”) | 07:22 |
|
2 |
I Talk to the Wind | 06:05 |
|
3 |
Epitaph (Including “March for No Reason” and “Tomorrow and Tomorrow”) | 08:46 |
|
4 |
Moonchild (Including “The Dream” and “The Illusion”) | 12:12 |
|
5 |
The Court of the Crimson King (Including “The Return of the Fire Witch” and “The Dance of the Puppets”) | 10:02 |
|
6 |
21st Century Schizoid Man (Radio Version) | 06:41 |
|
7 |
I Talk to the Wind (Duo Version) | 04:45 |
|
8 |
A Man a City (Live at the Fillmore West) | 11:44 |
专辑简介
*本专辑码率为混合制式，
44.1kHz/16bit
4.Moonchild (Including _The Dream_ and _The Illusion_)
5.The Court of the Crimson King (Including _The Return of the Fire Witch_ and _The Dance of the Puppets_)
8.A Man a City (Live at the Fillmore West)
其他歌曲为96kHz/24bit
60 年代末，摇滚乐发展得枝繁叶茂。披头士在 1969 年发行了经典的《Abbey Road》，Led Zeppelin 推出同名首张专辑，而在“前卫”、“实验”的探索方向上，King Crimson 犹如石破天惊，出其不意地投下一颗让人们倍感兴奋的“炸弹”。《In the Court of the Crimson King 》是 King Crimson 最具代表性的专辑，亦是前卫摇滚领域不可逾越的经典之作。唱片封面设计来自 Barry Godber，那张边缘精神状态被放大的超现实面孔，成为乐队传奇色彩中不可或缺的一抹“深红”。乐队名字来自诗人 Peter Sinfield 的诗句“In the court of the crimson king”，而 Peter Sinfield 的诗歌也被用在这张专辑的歌词创作中。King Crimson 将爵士乐、古典乐融入以蓝调为基调的摇滚，时而尖锐紧张，时而温和梦幻，以超前的音乐氛围与节奏掌控，制造出浓烈、神秘、浩瀚的迷幻声音。他们在民谣开篇的《Moonchild》后段展示了无调音乐的魅力，在名作《21st Century Schizoid Man》中将摇滚、爵士与合成器音色灿烂交织，散发出超越时代、影响至今的先锋气质。
