目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
The Passenger, Act I Scene 1：Prelude | 00:02:27 |
| 2 | The Passenger, Act I Scene 1：Das Ufer in der Ferne ist nicht mehr zu sehn | 00:05:03 |
| 3 | The Passenger, Act I Scene 1：Drei Jahre sind im Nu vorbei | 00:01:27 |
| 4 | The Passenger, Act I Scene 1：Was ist los mit Ihnen, Aufseherin Franz? | 00:01:44 |
| 5 | The Passenger, Act I Scene 1：Marta? Kann das Marta sein? | 00:01:42 |
| 6 | The Passenger, Act I Scene 1：Negro paredón | 00:02:10 |
| 7 | The Passenger, Act I Scene 1：Das ist alles Unsinn! | 00:03:19 |
| 8 | The Passenger, Act I Scene 1：Sei still, sei still | 00:02:18 |
| 9 | The Passenger, Act I Scene 1：Angst hat mir nachts die Kehle zugeschnürt | 00:03:14 |
| 10 | The Passenger, Act I Scene 1：Für ein schweres Vergehen, da kam sie in den “Todesblock” | 00:05:26 |
| 11 | The Passenger, Act I Scene 1：Fort, Gespenster der Vergangenheit! | 00:03:16 |
| 12 | The Passenger, Act I Scene 2：Appell | 00:02:33 |
| 13 | The Passenger, Act I Scene 2：Wie langweilig ist’s hier, Hans! | 00:03:58 |
| 14 | The Passenger, Act I Scene 2：Ty ukryt ot nyeba reshyotkoy | 00:03:11 |
| 15 | The Passenger, Act I Scene 2：Du hast gut gelernt, mein Kindchen | 00:00:57 |
| 16 | The Passenger, Act I Scene 2：Ta Niemka patrzy na mnie tak badawczo | 00:02:33 |
| 17 | The Passenger, Act I Scene 3：Novenkiye, novenkiye, kha, kha, kha! | 00:02:36 |
| 18 | The Passenger, Act I Scene 3：Prokhodite, ustawaytes, podrugi! | 00:01:11 |
| 19 | The Passenger, Act I Scene 3：Moi, je m’appelle Yvette | 00:01:54 |
| 20 | The Passenger, Act I Scene 3：Další den minul, uplynul | 00:04:05 |
| 21 | The Passenger, Act I Scene 3：Vspomnyat li nas kogda-nibud lyudi? | 00:04:36 |
| 22 | The Passenger, Act I Scene 3：Święty Boże, Jezu Chryste! | 00:03:55 |
| 23 | The Passenger, Act I Scene 3：Mais pourqoui tant de rage dans ta voix? | 00:02:21 |
| 24 | The Passenger, Act I Scene 3：Skoreye, vody! | 00:02:47 |
| 25 | The Passenger, Act I Scene 3：”Geliebter, mein geliebter Tadek!” | 00:02:03 |
| 26 | The Passenger, Act I Scene 3：Spasibo… Vyruchila… | 00:04:36 |
| 27 | The Passenger, Act II Scene 4：Heil! Du kennst dich mit Geigen aus, verdammte Dinger! | 00:02:41 |
| 28 | The Passenger, Act II Scene 4：Ty żyjesz? | 00:08:31 |
| 29 | The Passenger, Act II Scene 4：Ach, ihr kennt euch? | 00:01:59 |
| 30 | The Passenger, Act II Scene 4：Beregites! | 00:03:58 |
| 31 | The Passenger, Act II Scene 5：Twój raport dotarł na czas do Krakowa | 00:07:30 |
| 32 | The Passenger, Act II Scene 6：Pozdravlyayu, Marta! | 00:02:20 |
| 33 | The Passenger, Act II Scene 6：Jeśliby zawezwał mnie do siebie Bóg | 00:05:05 |
| 34 | The Passenger, Act II Scene 6：Du vest lebn, dos iz emes | 00:02:34 |
| 35 | The Passenger, Act II Scene 6：Hör mal, Marta, wenn du möchtest, besucht dich morgen hier dein Tadeusz | 00:02:15 |
| 36 | The Passenger, Act II Scene 6：Tiene razón, Tadeusz tiene razón | 00:01:01 |
| 37 | The Passenger, Act II Scene 6：Bon, après moi répète: je vis | 00:04:34 |
| 38 | The Passenger, Act II Scene 6：Ty, dolinushka dolina, razdolye shirokoye | 00:04:24 |
| 39 | The Passenger, Act II Scene 6：Ne zabyvayte nas! | 00:05:22 |
| 40 | The Passenger, Act II Scene 7：Es ist hier so schön, und du bleibst in der Kabine | 00:02:35 |
| 41 | The Passenger, Act II Scene 7：Walter, du denkst nur voll Sorge an deine Karriere | 00:05:33 |
| 42 | The Passenger, Act II Scene 7：Your Good Health, Sir | 00:03:13 |
| 43 | The Passenger, Act II Scene 7：Was ist los, Lisa? | 00:02:36 |
| 44 | The Passenger, Act II Scene 8：Spiel tüchtig auf, Geiger! | 00:01:03 |
| 45 | The Passenger, Act II Scene 8：J. S. Bach: Chaconne in D Minor | 00:01:59 |
| 46 | The Passenger, Act II Scene 8：Negro paredón | 00:04:23 |
| 47 | The Passenger, Act II Epilogue：Jak cicho wokół mnie! | 00:06:35 |
专辑简介
Although it was composed in 1968, Mieczyław Weinberg\’s opera “The Passenger” was only staged in its entirety for the first time in 2010. The work, which is based on a 1962 novel by concentration camp survivor Zofia Posmysz, quickly became known as one of the most important operas of the second half of the 20th century – with a subject matter that is more important today than ever. David Pountney\’s first production has since achieved classic status and is being performed here for the first time at Madrid\’s Teatro Real, conducted by Mirga Gražinytè-Tyla, who has been instrumental in the recent Weinberg renaissance.
The cast includes soprano Amanda Majeski (Marta), mezzo-soprano Daveda Karanas (Lisa), tenor Nikolai Schukoff (Walter) and baritone Gyula Orendt (Tadeusz). Violinist Stephen Waarts doubles as Tadeusz for the instrumental solo.
The audio album is set for digital release on 24 January 2025, shortly before International Holocaust Remembrance Day (27 January), which marks the anniversary of the liberation of Auschwitz-Birkenau in 1945, and honours the memory of all victims of Nazism.
The action of the opera switches between the deck of an ocean liner sailing from Europe to Brazil in the early 1960s, and the concentration camp of Auschwitz. On board the ship, Lisa, wife of German diplomat Walter, who is heading to a new posting in Brazil, believes she has recognised a woman she thought was dead. The latter is the “passenger” of the title – Marta, a Polish prisoner at Auschwitz, where Lisa herself was an SS guard, a fact she only now discloses to her husband, who has to decide how to come to terms with this revelation. Wartime flashbacks, meanwhile, depict the horrors of the camp and the doomed relationship between Marta and her violinist fiancé Tadeusz on the second lower level.
