目录
| # | 曲目 |
|---|---|
1 | Symphony No. 4 in G Major I. Bedächtig, nicht eilen |
| 2 | Symphony No. 4 in G Major II. In gemächlicher Bewegung, ohne Hast |
| 3 | Symphony No. 4 in G Major III. Ruhevoll, poco adagio |
| 4 | Symphony No. 4 in G Major IV. Sehr behaglich |
| 5 | Symphony No. 5 in C-Sharp Minor I. Trauermarsch. In gemessenem Schritt. Str |
| 6 | Symphony No. 5 in C-Sharp Minor II. Stürmisch bewegt, mit grösster Vehemenz |
| 7 | Symphony No. 5 in C-Sharp Minor III. Scherzo. Kräftig, nicht zu schnell |
| 8 | Symphony No. 5 in C-Sharp Minor IV. Adagietto. Sehr langsam |
| 9 | Symphony No. 5 in C-Sharp Minor V. Rondo-Finale. Allegro – Allegro giocoso. |
| 10 | Symphony No. 6 in A Minor I. Allegro energico, ma non troppo |
| 11 | Symphony No. 6 in A Minor II. Scherzo. Wuchtig |
| 12 | Symphony No. 6 in A Minor III. Andante |
| 13 | Symphony No. 6 in A Minor IV. Finale. Allegro moderato – Allegro energico |
专辑简介
This second release from Lorin Maazel’s 2011 Mahler cycle in the Royal Festival Hall brings a comparably fine response from the Philharmonia, plus this veteran conductor’s acute concern for articulation, as in the first three Symphonies (reviewed here last April). But the drawbacks are more evident: notably, Maazel’s preference for deliberate tempos – it would be hard to imagine a less joyous reading of the finale of the Fifth than the plodding account here – and his addiction to unwritten rallentandos in more romantic passages.
