目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Viola d’amore a chiavi by Didier François)：I. Prélude | 00:02:59 |
| 2 | Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Viola d’amore a chiavi by Didier François)：II. Allemande | 00:05:06 |
| 3 | Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Viola d’amore a chiavi by Didier François)：III. Courante | 00:02:59 |
| 4 | Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Viola d’amore a chiavi by Didier François)：IV. Sarabande | 00:02:57 |
| 5 | Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Viola d’amore a chiavi by Didier François)：V. Menuet I – Menuet II | 00:03:22 |
| 6 | Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Viola d’amore a chiavi by Didier François)：VII. Gigue | 00:01:46 |
| 7 | Cello Suite No. 2 in D Minor, BWV 1008 (Arr. for Viola d’amore a chiavi by Didier François)：I. Prélude | 00:03:49 |
| 8 | Cello Suite No. 2 in D Minor, BWV 1008 (Arr. for Viola d’amore a chiavi by Didier François)：II. Allemande | 00:03:24 |
| 9 | Cello Suite No. 2 in D Minor, BWV 1008 (Arr. for Viola d’amore a chiavi by Didier François)：III. Courante | 00:02:28 |
| 10 | Cello Suite No. 2 in D Minor, BWV 1008 (Arr. for Viola d’amore a chiavi by Didier François)：IV. Sarabande | 00:04:24 |
| 11 | Cello Suite No. 2 in D Minor, BWV 1008 (Arr. for Viola d’amore a chiavi by Didier François)：V. Menuets I – Menuet II | 00:03:02 |
| 12 | Cello Suite No. 2 in D Minor, BWV 1008 (Arr. for Viola d’amore a chiavi by Didier François)：VII. Gigue | 00:02:44 |
| 13 | Cello Suite No. 3 in C Major, BWV 1009 (Arr. for Viola d’amore a chiavi by Didier François)：I. Prélude | 00:03:28 |
| 14 | Cello Suite No. 3 in C Major, BWV 1009 (Arr. for Viola d’amore a chiavi by Didier François)：II. Allemande | 00:04:07 |
| 15 | Cello Suite No. 3 in C Major, BWV 1009 (Arr. for Viola d’amore a chiavi by Didier François)：III. Courante | 00:03:22 |
| 16 | Cello Suite No. 3 in C Major, BWV 1009 (Arr. for Viola d’amore a chiavi by Didier François)：IV. Sarabande | 00:03:53 |
| 17 | Cello Suite No. 3 in C Major, BWV 1009 (Arr. for Viola d’amore a chiavi by Didier François)：V. Bourrée I – Bourrée II | 00:03:39 |
| 18 | Cello Suite No. 3 in C Major, BWV 1009 (Arr. for Viola d’amore a chiavi by Didier François)：VII. Gigue | 00:03:22 |
| 19 | Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. for Viola d’amore a chiavi by Didier François)：I. Prélude | 00:04:28 |
| 20 | Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. for Viola d’amore a chiavi by Didier François)：II. Allemande | 00:04:18 |
| 21 | Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. for Viola d’amore a chiavi by Didier François)：III. Courante | 00:03:46 |
| 22 | Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. for Viola d’amore a chiavi by Didier François)：IV. Sarabande | 00:04:18 |
| 23 | Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. for Viola d’amore a chiavi by Didier François)：V. Bourrée I – Bourrée II | 00:05:12 |
| 24 | Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. for Viola d’amore a chiavi by Didier François)：VII. Gigue | 00:03:14 |
| 25 | Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Viola d’amore a chiavi by Didier François)：I. Prélude | 00:06:17 |
| 26 | Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Viola d’amore a chiavi by Didier François)：II. Allemande | 00:05:20 |
| 27 | Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Viola d’amore a chiavi by Didier François)：III. Courante | 00:02:32 |
| 28 | Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Viola d’amore a chiavi by Didier François)：IV. Sarabande | 00:03:04 |
| 29 | Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Viola d’amore a chiavi by Didier François)：V. Gavotte I – Gavotte II | 00:05:06 |
| 30 | Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Viola d’amore a chiavi by Didier François)：VII. Gigue | 00:02:24 |
专辑简介
Didier François（迪迪埃•弗朗索瓦），Nyckelharpa演奏家、研究专家，雕塑家。1969年4月2日出生于布鲁塞尔，现居住在梅赫伦。Didier任教于意大利Scuola di Musica Popolare di Forlimpopoli和德国Akademie Burg Fürsteneck。经常在欧洲和亚洲举办的音乐节上演奏Nyckelharp，并录制大量的音响音像制品。 Didier的母亲是一位画家，他从小就生活在艺术环境中。他的母亲在家中布置了精美的美术氛围，并邀请所有结识的艺术家来家中做客。然而，Didier在他四岁的时候固执地要求学小提琴。每当他选择接受的艺术教育时，他都会主动选择音乐。不过，美术依旧对Didier有很强的吸引力。随后，Didier在雕塑中同样找到了情感的宣泄方式。从此，雕塑与小提琴产生了一种爱恨交织的关系！ 直到今天，这种困境演变成了一种相互作用的激情。并具有相同的表达方式： “无论我拉小提琴、制作青铜雕像，还是向我的孩子讲故事。它都是通过不同的媒介表达相同的情感。”
