试听
目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Idomeneo, K. 366 – Overture | 00:04:38 |
| 2 | Idomeneo, K. 366, Act I – Scene 1, Recitativo. Quandp avran fine omai (Ilia) | 00:03:41 |
| 3 | Idomeneo, K. 366, Act I – Scene 1, Aria. Padre, germani, addio! (Ilia) | 00:03:46 |
| 4 | Idomeneo, K. 366, Act I – Scene 2, Recitativo. Radunate i Troiani, ite (Idamante, Ilia) | 00:03:18 |
| 5 | Idomeneo, K. 366, Act I – Scene 2, Aria. Non ho colpa (Idamante) | 00:06:01 |
| 6 | Idomeneo, K. 366, Act I – Scene 3, Ecco il misero resto de’ Troiani (Ilia, Idamante) | 00:01:13 |
| 7 | Idomeneo, K. 366, Act I – Scene 3, Godiam la pace, trionfi amore (Choir) | 00:02:14 |
| 8 | Idomeneo, K. 366, Act I – Scene 4–5, Recitativo. Prence, signor, tutta la Grecia oltraggi (Elettra, Idamante, Arbace, Ilia) | 00:02:33 |
| 9 | Idomeneo, K. 366, Act I – Scene 6, Recitativo. Estinto è Idomeneo? (Elettra) | 00:01:54 |
| 10 | Idomeneo, K. 366, Act I – Scene 6, Aria. Tutte nel corso vi sento (Elettra) | 00:03:16 |
| 11 | Idomeneo, K. 366, Act I – Scene 7, Pietà! Numi, pietà! (Choir) | 00:01:05 |
| 12 | Idomeneo, K. 366, Act I – Scene 8, Pantomima e recitativo. Eccoci salvi alfin (Idomeneo) | 00:01:23 |
| 13 | Idomeneo, K. 366, Act I – Scene 9, Recitativo. Tranquillo è il mar (Idomeneo) | 00:02:15 |
| 14 | Idomeneo, K. 366, Act I – Scene 9, Aria. Vedrommi intorno l’ombra dolente (Idomeneo) | 00:04:07 |
| 15 | Idomeneo, K. 366, Act I – Scene 10, Recitativo. Spiagge romite (Idamante, Idomeneo) | 00:04:56 |
| 16 | Idomeneo, K. 366, Act I – Scene 10, Aria. Il padre adorato (Idamante) | 00:02:59 |
| 17 | Idomeneo, K. 366, Act I – Scene 10, Intermezzo. Marcia | 00:01:56 |
| 18 | Idomeneo, K. 366, Act I – Scene 10, Nettuno s’onori, quel nome risuoni (Choir) | 00:05:14 |
| 19 | Idomeneo, K. 366, Act II – Scene 1, Recitativo. Siam soli. Odimi, Arbace (Idomeneo, Arbace) | 00:02:28 |
| 20 | Idomeneo, K. 366, Act II – Scene 1, Aria. Se il tuo duol (Arbace) | 00:04:36 |
| 21 | Idomeneo, K. 366, Act II – Scene 2, Recitativo. Se mai pomposo apparse (Ilia, Idomeneo) | 00:02:26 |
| 22 | Idomeneo, K. 366, Act II – Scene 2, Aria. Se il padre perdei (Ilia) | 00:06:00 |
| 23 | Idomeneo, K. 366, Act II – Scene 3, Recitativo. Qual mi conturba i sensi (Idomeneo) | 00:01:54 |
| 24 | Idomeneo, K. 366, Act II – Scene 3, Aria. Fuor del mar (Idomeneo) | 00:05:58 |
| 25 | Idomeneo, K. 366, Act II – Scene 4, Recitativo. Chi mai del mio provò (Elettra) | 00:01:23 |
| 26 | Idomeneo, K. 366, Act II – Scene 4, Aria. Idol mio, se ritroso (Elettra) | 00:04:41 |
| 27 | Idomeneo, K. 366, Act II – Scene 4, Marcia. Odo da lunge armonioso suono (Elettra) | 00:01:06 |
| 28 | Idomeneo, K. 366, Act II – Scene 5, Recitativo. Sidonie sponde! (Elettra) | 00:00:40 |
| 29 | Idomeneo, K. 366, Act II – Scene 5, Placido è il mar, andiamo (Choir, Elettra) | 00:03:24 |
| 30 | Idomeneo, K. 366, Act II – Scene 6, Recitativo. Vattene, prence (Idomeneo, Idamante) | 00:00:28 |
| 31 | Idomeneo, K. 366, Act II – Scene 6, Terzetto. Pria di partir, o Dio! (Idamante, Elettra, Idomeneo) | 00:04:13 |
| 32 | Idomeneo, K. 366, Act II – Scene 6, Qual nuovo terrore! (Choir) | 00:01:25 |
| 33 | Idomeneo, K. 366, Act II – Scene 6, Recitativo. Eccoti in me, barbaro nume (Idomeneo) | 00:01:49 |
| 34 | Idomeneo, K. 366, Act II – Scene 6, Corriamo, fuggiamo (Choir) | 00:01:44 |
| 35 | Idomeneo, K. 366, Act III – Scene 1, Recitativo. Solitudini amiche (Ilia) | 00:01:01 |
| 36 | Idomeneo, K. 366, Act III – Scene 1, Aria. Zeffiretti lusinghiaeri (Ilia) | 00:05:36 |
| 37 | Idomeneo, K. 366, Act III – Scene 2, Recitativo. Principessa, a’ tuoi sguardi (Idamante, Ilia) | 00:03:37 |
| 38 | Idomeneo, K. 366, Act III – Scene 2, Duet. S’io non moro a questi accenti (Idamante, Ilia) | 00:02:59 |
| 39 | Idomeneo, K. 366, Act III – Scene 3, Recitativo. Cieli! Che vedo? (Idomeneo, Ilia, Idamante, Elettra) | 00:02:26 |
| 40 | Idomeneo, K. 366, Act III – Scene 3, Quartetto. Andrò ramingo e solo (Idamante, Ilia, Idomeneo, Elettra) | 00:05:29 |
| 41 | Idomeneo, K. 366, Act III – Scene 5, Recitativo. Sventurata Sidon! (Arbace) | 00:03:12 |
| 42 | Idomeneo, K. 366, Act III – Scene 5, Aria. Se colà ne’ fati è scritto (Arbace) | 00:08:17 |
| 43 | Idomeneo, K. 366, Act III – Scene 6, Recitativo. Volgi intorno lo sguardo, o sire (Gran sacerdote, Idomeneo) | 00:04:29 |
| 44 | Idomeneo, K. 366, Act III – Scene 6, Oh, voto tremendous! (Choir, Gran sacerdote) | 00:04:32 |
| 45 | Idomeneo, K. 366, Act III – Scene 7, Marcia | 00:01:14 |
| 46 | Idomeneo, K. 366, Act III – Scene 7, Cavatina con coro. Accogli, o re del mar (Idomeneo, Sacerdoti) | 00:03:06 |
| 47 | Idomeneo, K. 366, Act III – Scene 8, Stupenda vittoria! – Recitativo. Qual risuona qui intorno (Idomeneo, Arbace, Choir) | 00:01:11 |
| 48 | Idomeneo, K. 366, Act III – Scene 9, Recitativo. Padre, mio caro padre (Idamante, Idomeneo) | 00:06:38 |
| 49 | Idomeneo, K. 366, Act III – Scene 10, Recitativo. Ferma, o sire, che fai? (Ilia, Idomeneo, Idamante, Gran sacerdote, Elettra) | 00:01:15 |
| 50 | Idomeneo, K. 366, Act III – Scene 10, Ha vinto amore (Stimme des Orakels) | 00:02:02 |
| 51 | Idomeneo, K. 366, Act III – Scene 10, Recitativo. O ciel pietoso! (Idomeneo, Idamante, Ilia, Arbace, Elettra) | 00:03:17 |
| 52 | Idomeneo, K. 366, Act III – Scene 10, Aria. D’Oreste, d’Aiace (Elettra) | 00:03:10 |
| 53 | Idomeneo, K. 366, Act III – Scene 10, Recitativo. Popoli, a voi l’ultima legge (Idomeneo) | 00:05:08 |
| 54 | Idomeneo, K. 366, Act III – Scene 10, Aria. Torna la pace (Idomeneo) | 00:05:55 |
| 55 | Idomeneo, K. 366, Act III – Scene 10, Scena Amor, scenda Emeneo (Choir) | 00:04:03 |
专辑简介
Mozarts ergreifende Oper \”Idomeneo\” – eines der Lieblingswerke Sir Simon Rattles – in einer berührenden Einspielung unter seiner Leitung mit Chor und Symphonieorchester des Bayerischen Rundfunks sowie begeisternden Solisten. Ein musikalisches Highlight voller Dramatik und Emotionen!ing the last fifteen years, the Supraphon label has released albums of the ensemble featuring the first recordings of the complete works for string quartet by J.B. Foerster (2010), Sofia Gubaidulina (2012), and Karel Kovařovic (2019). For the Stamic Quartet’s fortieth anniversary, they have recorded this complete set of Vítězslav Novák’s quartets, which also definitely completes the ensemble’s remarkable list of recordings.
Nearly forty years separate the First Quartet by Dvořák’s 29-year-old pupil, inspired by the countryside of Moravia and Slovakia and by folk music, from the Third Quartet, with its anxious premonitions of war. The works demonstrate a considerable stylistic shift in the composer’s musical language. From the foundations of the musical traditions of Romanticism, through inspiration from Moravian and Slovak folklore, Novák arrived at a personal style with integral components including the church modes, the sonic world of Impressionism, a polyphonic sensibility for musical structure (as is clear from the extensive fugue of the Second Quartet), and rhythmic richness. The experienced Stamic Quartet is the first ensemble to record Novák’s complete quartets, and it has done so with commitment that would be the envy of many young ensembles.
