目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | The Bells, Op. 35 – I. The Silver Sleigh Bells. Allegro ma non tanto (Sergei Rachmaninoff) | 00:06:27 117M |
| 2 | The Bells, Op. 35 – II. The Mellow Wedding Bells. Lento (Sergei Rachmaninoff) | 00:10:19 178M |
| 3 | The Bells, Op. 35 – III. The Loud Alarm Bells. Presto (Sergei Rachmaninoff) | 00:08:30 158M |
| 4 | The Bells, Op. 35 – IV. The Mournful Iron Bells. Lento lugubre (Sergei Rachmaninoff) | 00:10:28 184M |
| 5 | Falstaff, Op. 68 – I. Falstaff and Prince Henry. Allegro (Edward Elgar) | 00:03:05 56M |
| 6 | Falstaff, Op. 68 – IIa. Eastcheap. Allegro molto (Edward Elgar) | 00:03:02 53M |
| 7 | Falstaff, Op. 68 – IIb. Gadshill – The Boar’s Head. Allegro molto (Edward Elgar) | 00:09:20 159M |
| 8 | Falstaff, Op. 68 – IIc. Revelry and Sleep. Molto tranquillo (Edward Elgar) | 00:01:09 18M |
| 9 | Falstaff, Op. 68 – IId. Dream Interlude. Poco allegretto (Edward Elgar) | 00:02:39 43M |
| 10 | Falstaff, Op. 68 – IIIa. Falstaff’s March. Allegro (Edward Elgar) | 00:02:58 53M |
| 11 | Falstaff, Op. 68 – IIIb. The Return Through Gloucestershire. Poco sostenuto (Edward Elgar) | 00:01:37 26M |
| 12 | Falstaff, Op. 68 – IIIc. Interlude. Gloucestershire, Shallow’s Orchard. Allegretto (Edward Elgar) | 00:01:43 27M |
| 13 | Falstaff, Op. 68 – IIId. The Hurried Ride to London (Allegro molto) (Edward Elgar) | 00:01:04 19M |
| 14 | Falstaff, Op. 68 – IVa. King Henry V’s Progress. Più moderato (Edward Elgar) | 00:03:30 65M |
| 15 | Falstaff, Op. 68 – IVb. The Repudiation of Falstaff, and his death. Poco più lento (Edward Elgar) | 00:06:38 105M |
专辑简介
为开启与和谐世界唱片公司的合作，瓦西里・佩特连科（Vasily Petrenko）与皇家爱乐乐团录制了一套既精妙又出人意料的曲目，收录了两部鲜为人知的 1913 年杰作。
从莎士比亚（William Shakespeare）笔下对年迈骑士福斯塔夫（Falstaff）的辛辣讽刺，到受爱伦・坡（Edgar Allan Poe）启发而作的存在主义沉思《钟声》，这两部 “文学性” 乐曲都将浪漫主义的余韵戏剧性地延续到了极致。无垠的宇宙。通过这两首歌小试牛刀之后，饭卡在《钟之叹息》里彻底释放了 rapper 本色。他追随自己钟爱的 Native Tongues，信手织出灵动的 jazzy beats，把呼吸融进 flow，在节拍边缘游走。客座 rapper 福来以“时间就是一个圈套”一锤定音，让这首从过生日出发反思时间与生命的曲子，笼罩更朦胧的哲思光晕。《沙漠应激反应》采用了罕见的四段式结构，四套暗示场景转换的编曲对应仙人掌的四季独白。这首歌也可谓是一封献给 R&B 的情书，歌中那句“不再需要爱”的唱法不禁让我们想起方大同的《爱爱爱》，结尾处更是致敬了 Stevie Wonder 的《Isn\’t She Lovely》。整张专辑不乏对当代生活方式的评论，却摈除了灌输式的说教，而是以松弛的律动、诚恳的态度，热情拥抱了仙人掌赖以生存的阳光雨露。
