目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Cello Suite No. 1 in G Major, BWV 1007：I. Prélude | 00:02:40 |
| 2 | Cello Suite No. 1 in G Major, BWV 1007：II. Allemande | 00:05:10 |
| 3 | Cello Suite No. 1 in G Major, BWV 1007：III. Courante | 00:02:47 |
| 4 | Cello Suite No. 1 in G Major, BWV 1007：IV. Sarabande | 00:02:56 |
| 5 | Cello Suite No. 1 in G Major, BWV 1007：V. Menuets I & II | 00:03:27 |
| 6 | Cello Suite No. 1 in G Major, BWV 1007：VI. Gigue | 00:01:50 |
| 7 | Cello Suite No. 2 in D Minor, BWV 1008：I. Prélude | 00:04:04 |
| 8 | Cello Suite No. 2 in D Minor, BWV 1008：II. Allemande | 00:03:38 |
| 9 | Cello Suite No. 2 in D Minor, BWV 1008：III. Courante | 00:02:03 |
| 10 | Cello Suite No. 2 in D Minor, BWV 1008：IV. Sarabande | 00:04:32 |
| 11 | Cello Suite No. 2 in D Minor, BWV 1008：V. Menuets I & II | 00:03:04 |
| 12 | Cello Suite No. 2 in D Minor, BWV 1008：VI. Gigue | 00:02:38 |
| 13 | Cello Suite No. 6 in D Major, BWV 1012：I. Prélude | 00:05:05 |
| 14 | Cello Suite No. 6 in D Major, BWV 1012：II. Allemande | 00:08:17 |
| 15 | Cello Suite No. 6 in D Major, BWV 1012：III. Courante | 00:04:25 |
| 16 | Cello Suite No. 6 in D Major, BWV 1012：IV. Sarabande | 00:05:19 |
| 17 | Cello Suite No. 6 in D Major, BWV 1012：V. Gavottes I & II | 00:04:59 |
| 18 | Cello Suite No. 6 in D Major, BWV 1012：VI. Gigue | 00:04:47 |
| 19 | Cello Suite No. 5 in C Minor, BWV 1011：I. Prélude | 00:06:21 |
| 20 | Cello Suite No. 5 in C Minor, BWV 1011：II. Allemande | 00:05:48 |
| 21 | Cello Suite No. 5 in C Minor, BWV 1011：III. Courante | 00:02:15 |
| 22 | Cello Suite No. 5 in C Minor, BWV 1011：IV. Sarabande | 00:03:52 |
| 23 | Cello Suite No. 5 in C Minor, BWV 1011：V. Gavottes I & II | 00:05:41 |
| 24 | Cello Suite No. 5 in C Minor, BWV 1011：VI. Gigue | 00:02:38 |
| 25 | Cello Suite No. 3 in C Major, BWV 1009：I. Prélude | 00:03:42 |
| 26 | Cello Suite No. 3 in C Major, BWV 1009：II. Allemande | 00:04:15 |
| 27 | Cello Suite No. 3 in C Major, BWV 1009：III. Courante | 00:03:12 |
| 28 | Cello Suite No. 3 in C Major, BWV 1009：IV. Sarabande | 00:04:01 |
| 29 | Cello Suite No. 3 in C Major, BWV 1009：V. Bourrées I & II | 00:03:52 |
| 30 | Cello Suite No. 3 in C Major, BWV 1009：VI. Gigue | 00:03:47 |
| 31 | Cello Suite No. 4 in E-Flat Major, BWV 1010：I. Prélude | 00:03:55 |
| 32 | Cello Suite No. 4 in E-Flat Major, BWV 1010：II. Allemande | 00:05:09 |
| 33 | Cello Suite No. 4 in E-Flat Major, BWV 1010：III. Courante | 00:04:03 |
| 34 | Cello Suite No. 4 in E-Flat Major, BWV 1010：IV. Sarabande | 00:04:29 |
| 35 | Cello Suite No. 4 in E-Flat Major, BWV 1010：V. Bourrées I & II | 00:05:33 |
| 36 | Cello Suite No. 4 in E-Flat Major, BWV 1010：VI. Gigue | 00:03:04 |
专辑简介
细腻入微又不失热忱的演绎，擦亮巴赫组曲的纷彩光芒。偶像团体沉寂近四年后重返聚光灯下。2025 年，专辑在洛杉矶经过数月的创作和录制，召集了包括 Mike WiLL Made-It、Flume、El Guincho、Diplo 和 Ryan Tedder 在内的众多西方制作人和词曲作者。不过，专辑的核心及标题灵感源自一首具有 600 年历史的传统民歌《ARIRANG》，它承载了韩国人民的思念、哀愁与坚韧。
“ARIRANG”（阿里郎）这一概念，既构成了防弹少年团在全球化合作背景下回望文化根源的叙事框架，也在专辑中得到了具体呈现。由打击乐主导的开场曲《Body to Body》，讲述了体育场演出中身体接触所带来的集体联结与亲密力量，随着节拍从电子逐渐过渡到原声，一段近似盘索里（pansori）风格的《ARIRANG》演唱段落悄然接入，又渐渐淡出。这种交织将防弹少年团的当代音乐与更为古老的韩国传统相连接，而这种情感也延续到专辑的其他曲目中，即便它们在声音上并不总是如此直观地呈现出韩国特色。
主打曲《SWIM》以低调姿态，在 Lo-Fi 合成器荡起的层层律动中推进，试图安抚那些在拿自己与他人比较时感到焦虑的听众。《Hooligan》则叠加刀刃相击的声响、冷峻的“haha”笑声以及成员们精准的说唱表达，尽情展现了团体对音乐实验的热情。《Merry Go Round》沉浸于忧郁的旋律线条中，成员们则随其寻找从痛苦日常中脱身的出口。
