目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Juditha Triumphans, RV 644, Act I：Aria. Armatae face et anguibus | 00:03:01 |
| 2 | Salve Regina in F Major：I. Salve Regina | 00:04:08 |
| 3 | Salve Regina in F Major：II. Ad te clamamus | 00:01:49 |
| 4 | Salve Regina in F Major：III. Ad te suspiramus | 00:03:13 |
| 5 | Salve Regina in F Major：IV. Eia ergo | 00:01:03 |
| 6 | Salve Regina in F Major：V. Illos tuos | 00:03:05 |
| 7 | Salve Regina in F Major：VI. O clemens, o pia | 00:02:40 |
| 8 | Violin Concerto in B Minor, RV 387：I. Allegro | 00:03:22 |
| 9 | Violin Concerto in B Minor, RV 387：II. Largo | 00:03:07 |
| 10 | Violin Concerto in B Minor, RV 387：III. Allegro | 00:02:55 |
| 11 | Juditha Triumphans, RV 644, Act II：Aria. O servi volate | 00:02:34 |
| 12 | Ascende læta, RV 635：I. Aria. Ascende laeta | 00:03:59 |
| 13 | Ascende læta, RV 635：II. Recitativo. Quam pulchri, quam formosi | 00:01:04 |
| 14 | Ascende læta, RV 635：III. Aria. Sternite angeli | 00:03:15 |
| 15 | Canta in prato, ride in monte, RV 636：I. Aria. Canta in prato, ride in monte | 00:03:24 |
| 16 | Canta in prato, ride in monte, RV 636：II. Recitativo. Sacra fulgescit nobis | 00:00:55 |
| 17 | Canta in prato, ride in monte, RV 636：III. Aria. Avenae rusticate | 00:00:52 |
| 18 | Volate Gentes：I. Aria. Volate gentes | 00:04:50 |
| 19 | Volate Gentes：II. Recitativo. Fulcite me floribus | 00:00:53 |
| 20 | Volate Gentes：III. Aria. Cari flores, grati odores | 00:05:58 |
| 21 | Volate Gentes：IV. Aria. Alleluia | 00:01:12 |
专辑简介
At a time when castrati reigned on Europe\’s stages, a few composers dared to write for female voices. Vivaldi, Porpora, and Porta explored the subtleties of this repertoire to create some of the finest sacred music scores of their era. Marina Viotti revives this forgotten heritage, placing the power of her voice at the service of the rich and moving melodies gathered here.
Accompanied by Andres Gabetta and the Orchestre de l\’Opera Royal, between theatricality and sacredness, Marina Viotti accomplishes the feat of bringing back to life the golden age of 18th-century sacred music, while paying tri
