目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Press Forward, Saints:Press Forward, Saints | 00:03:35 |
| 2 | More Holiness Give Me:More Holiness Give Me | 00:04:42 |
| 3 | On This Day of Joy and Gladness:On This Day of Joy and Gladness | 00:03:04 |
| 4 | Lord, I Would Follow Thee:Lord, I Would Follow Thee | 00:05:12 |
| 5 | Have I Done Any Good?:Have I Done Any Good? | 00:03:33 |
| 6 | Rejoice, the Lord Is King!:Rejoice, the Lord Is King! | 00:04:01 |
| 7 | Our Prayer to Thee:Our Prayer to Thee | 00:05:22 |
| 8 | Let Us All Press On:Let Us All Press On | 00:04:38 |
| 9 | Guide Us, O Thou Great Jehovah:Guide Us, O Thou Great Jehovah | 00:04:03 |
| 10 | Hark, All Ye Nations!:Hark, All Ye Nations! | 00:03:26 |
| 11 | Brightly Beams Our Father’s Mercy:Brightly Beams Our Father’s Mercy | 00:05:18 |
| 12 | Standing On the Promises:Standing On the Promises | 00:03:38 |
| 13 | Love Divine, All Loves Excelling:Love Divine, All Loves Excelling | 00:06:45 |
| 14 | All Creatures of Our God and King:All Creatures of Our God and King | 00:04:12 |
专辑简介
For this 2017 CSO-Resound release, Riccardo Muti and the Chicago Symphony Orchestra present Anton Bruckner\’s unfinished Symphony No. 9 in D minor in a monumental performance that impresses with its marmoreal weight, poignant lyricism, and brutal volatility. Not widely known for his few Bruckner recordings, Muti nonetheless delivers this symphony with the passion and sensitivity of an experienced Brucknerian, and possibly because he hasn\’t recorded it before, this live rendition of the Ninth seems like an attempt to make up for lost time. Muti’s intensity and the orchestra’s ferocious power combine to make a memorable reading that may remind listeners of performances by such greats as Günter Wand, Eugen Jochum, and particularly Carlo Maria Giulini, whose recordings of the Ninth are recognized benchmarks. While Muti only performs the three completed movements, and eschews any attempted reconstructions of the surviving Finale sketches, the performance has a genuine feeling of wholeness, and the Adagio particularly has the grandeur and pathos that make it feel like a convincing ending, albeit one that the composer did not intend. CSO-Resound’s recorded sound is superb and approaches the highest audiophile standards.























