目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Piano Concerto No. 1 in E-Flat Major, S.124：1. Allegro maestoso | 00:05:10 |
| 2 | Piano Concerto No. 1 in E-Flat Major, S.124：2a. Quasi adagio | 00:04:24 |
| 3 | Piano Concerto No. 1 in E-Flat Major, S.124：2b. Allegretto vivace – Allegro animato | 00:03:52 |
| 4 | Piano Concerto No. 1 in E-Flat Major, S.124：3. Allegro marziale animato | 00:04:08 |
| 5 | Piano Concerto No. 2 in A, S.125：1a. Adagio sostenuto assai | 00:04:42 |
| 6 | Piano Concerto No. 2 in A, S.125：1b. Allegro agitato assai | 00:02:06 |
| 7 | Piano Concerto No. 2 in A, S.125：2. Allegro moderato | 00:05:00 |
| 8 | Piano Concerto No. 2 in A, S.125：3a. Allegro deciso | 00:02:44 |
| 9 | Piano Concerto No. 2 in A, S.125：3b. Marziale un poco meno allegro | 00:03:37 |
| 10 | Piano Concerto No. 2 in A, S.125：4. Allegro animato | 00:01:38 |
专辑简介
拜伦·贾尼斯（Byron Janis，1928年3月24日—2024年3月14日），美国钢琴家，出生于宾夕法尼亚州麦基斯波特。1944年，15岁的拜伦·贾尼斯与NBC交响乐团合作演奏拉赫玛尼诺夫《第二钢琴协奏曲》。其演奏得到弗拉基米尔·霍洛维茨赏识并收为弟子。1948年，他在卡内基音乐厅成功完成首演。rdings, Muti nonetheless delivers this symphony with the passion and sensitivity of an experienced Brucknerian, and possibly because he hasn\’t recorded it before, this live rendition of the Ninth seems like an attempt to make up for lost time. Muti’s intensity and the orchestra’s ferocious power combine to make a memorable reading that may remind listeners of performances by such greats as Günter Wand, Eugen Jochum, and particularly Carlo Maria Giulini, whose recordings of the Ninth are recognized benchmarks. While Muti only performs the three completed movements, and eschews any attempted reconstructions of the surviving Finale sketches, the performance has a genuine feeling of wholeness, and the Adagio particularly has the grandeur and pathos that make it feel like a convincing ending, albeit one that the composer did not intend. CSO-Resound’s recorded sound is superb and approaches the highest audiophile standards.
