目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Symphony No. 6 in D Minor, Op. 104：I. Allegro molto moderato | 00:08:33 |
| 2 | Symphony No. 6 in D Minor, Op. 104：II. Allegretto moderato | 00:06:05 |
| 3 | Symphony No. 6 in D Minor, Op. 104：III. Poco vivace | 00:03:20 |
| 4 | Symphony No. 6 in D Minor, Op. 104：IV. Allegro molto | 00:09:22 |
| 5 | 2 Pieces from Kuolema, Op. 44：No. 1, Valse triste | 00:05:57 |
| 6 | Karelia Suite, Op. 11：I. Intermezzo | 00:04:02 |
| 7 | Karelia Suite, Op. 11：II. Ballade | 00:07:32 |
| 8 | Karelia Suite, Op. 11：III. Alla marcia | 00:04:54 |
| 9 | En saga, Op. 9：En saga, Op. 9 | 00:18:27 |
专辑简介
Renowned Armenian-born pianist Marianna Shirinyan performs some of Chopin’s most fascinating and fiendish pieces: the four Ballades and four Scherzos. Chopin coined the term ‘ballade’, harking back to medieval minstrels singing poetic ballads. His four Ballades are quite different in character, but share a sense of Romantic story-telling in their dramatic contrasts and virtuoso display. The first three of Chopin’s four Scherzos are fiery and dissonant; all four are exceptionally challenging. The Scherzo No. 1 is sometimes dubbed ‘The Infernal Banquet’ owing to its devilish character, which is juxtaposed with a central lullaby based on the Polish carol ‘Sleep, little Jesus’. Schumann regarded Chopin’s Scherzo No. 2 as Byronic in the grandeur of its passion, and the Scherzo No. 3 is also remarkably daring, with an almost Wagnerian chorale. Chopin’s Scherzo No. 4 is the only one in a major key, yet its relatively serene nature, with fluid, whimsical twists and turns, also makes it one of the most demanding to play.
