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Barraine: Symphonies Nos. 1 & 2 “Voïna”, Song-Koï & Les Tziganes

Barraine: Symphonies Nos. 1 & 2 “Voïna”, Song-Koï & Les Tziganes

目录

# 曲目 时长

1

Song-Koï: I. La source 00:00:57
2 Song-Koï: II. La haute plaine 00:00:44
3 Song-Koï: III. Les chemins célestes 00:02:32
4 Song-Koï: IV. La ville de Son-Phong 00:03:29
5 Song-Koï: V. Le retour des pavillons noirs 00:01:58
6 Song-Koï: VI. La rivière noire 00:01:44
7 Song-Koï: VII. Le fleuve rouge reçoit la rivière noire 00:03:01
8 Song-Koï: VIII. L’arrivée à la mer et la mort 00:01:38
9 Symphony No. 1: I. Andante – Vivace 00:09:11
10 Symphony No. 1: II. Adagio – Vivace 00:10:34
11 Symphony No. 1: III. Finale. Adagio – Allegro giocoso e leggiero 00:08:29
12 Symphony No. 2 “Voïna”: I. Adagio – Allegro moderato 00:07:20
13 Symphony No. 2 “Voïna”: II. Marche funèbre. Lento 00:05:17
14 Symphony No. 2 “Voïna”: III. Finale. Allegretto 00:04:54
15 Les Tziganes 00:04:36

专辑简介

Elsa Barraine, a notable and politically intrepid figure in her lifetime (1910-1999), is a composer whose distinctive voice is being heard again. A pupil of Paul Dukas at the Paris Conservatoire, and a fellow student of Olivier Messiaen, at the age of 19 she won the highly prestigious Prix de Rome with a cantata on the theme of Joan of Arc.During her long career she held several public posts in French music and spent more than 20 years as a professor, but she was also a composer of strong left-wing convictions and prominent in the Resistance during the Occupation years of World War Two.

Under its music director Cristian Măcelaru, the Orchestre national de France performs four works by Barraine: the Symphony No 1, completed in Italy in 1931; the compact, but powerful Symphony No 2, composed in 1938 and ominously subtitled \’Voïna\’, the French transliteration of the Russian word for war\’; Song-Koï (Le Fleuve rouge) – an eight-movement evocation of the Red River which flows through Vietnam, composed in 1945, the year Vietnam declared its independence from France, and, dating from 1959, Les Tziganes, which, as its name implies, takes inspiration from gypsy culture. Rooted in tonality, Barraine\’s music is confidently and soberly crafted, its orchestral palette both clearly defined and subtly shaded as it reflects its times and the composer\’s philosophical and spiritual concerns.

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