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普罗科菲耶夫:罗密欧与朱丽叶 Op. 64 2

普罗科菲耶夫:罗密欧与朱丽叶 Op. 64 2

  • 发行:2026-02-13
  • 地区:欧美
  • 类型:纯音乐
  • 公司:Deutsche Grammophon GmbH, Berlin
  • 流派:古典
  • 格式:FLAC
  • 码率:96kHz/24bit HR
  • 规格:52首
  • 价格:¥128.00元

目录

# 曲目 时长

1

Romeo and Juliet, Op. 64, Act I: No. 1, Introduction 00:02:31
2 Romeo and Juliet, Op. 64, Act I: No. 2, Romeo 00:01:24
3 Romeo and Juliet, Op. 64, Act I: No. 3, The Street Awakens 00:01:25
4 Romeo and Juliet, Op. 64, Act I: No. 4, Morning Dance 00:02:08
5 Romeo and Juliet, Op. 64, Act I: No. 5, The Quarrel 00:01:38
6 Romeo and Juliet, Op. 64, Act I: No. 6, The Fight 00:02:32
7 Romeo and Juliet, Op. 64, Act I: No. 7, The Duke’s Command 00:01:20
8 Romeo and Juliet, Op. 64, Act I: No. 8, Interlude 00:01:52
9 Romeo and Juliet, Op. 64, Act I: No. 9, At the Capulets’ (Preparations for the Ball) 00:01:18
10 Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet 00:03:20
11 Romeo and Juliet, Op. 64, Act I: No. 11, Arrival of the Guests (Minuet) 00:03:36
12 Romeo and Juliet, Op. 64, Act I: No. 12, Masks 00:02:40
13 Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights 00:05:04
14 Romeo and Juliet, Op. 64, Act I: No. 14, Juliet’s Variation 00:02:28
15 Romeo and Juliet, Op. 64, Act I: No. 15, Mercutio 00:02:10
16 Romeo and Juliet, Op. 64, Act I: No. 16, Madrigal 00:03:23
17 Romeo and Juliet, Op. 64, Act I: No. 17, Tybalt Recognizes Romeo 00:01:55
18 Romeo and Juliet, Op. 64, Act I: No. 18, Gavotte. Departure of the Guests 00:03:22
19 Romeo and Juliet, Op. 64, Act I: No. 19, Balcony Scene 00:03:12
20 Romeo and Juliet, Op. 64, Act I: No. 20, Romeo’s Variation 00:01:10
21 Romeo and Juliet, Op. 64, Act I: No. 21, Love Dance 00:05:29
22 Romeo and Juliet, Op. 64, Act II: No. 22, Folk Dance 00:03:26
23 Romeo and Juliet, Op. 64, Act II: No. 23, Romeo and Mercutio 00:02:12
24 Romeo and Juliet, Op. 64, Act II: No. 24, Dance of the Five Couples 00:03:23
25 Romeo and Juliet, Op. 64, Act II: No. 25, Dance with Mandolins 00:02:23
26 Romeo and Juliet, Op. 64, Act II: No. 26, Nurse 00:01:52
27 Romeo and Juliet, Op. 64, Act II: No. 27, The Nurse and Romeo 00:00:52
28 Romeo and Juliet, Op. 64, Act II: No. 28, Romeo at Friar Laurence’s 00:02:45
29 Romeo and Juliet, Op. 64, Act II: No. 29, Juliet at Friar Laurence’s 00:03:14
30 Romeo and Juliet, Op. 64, Act II: No. 30, Public Merrymaking 00:03:18
31 Romeo and Juliet, Op. 64, Act II: No. 31, Further Public Festivities 00:02:20
32 Romeo and Juliet, Op. 64, Act II: No. 32, Meeting of Tybalt and Mercutio 00:01:49
33 Romeo and Juliet, Op. 64, Act II: No. 33, The Duel 00:01:19
34 Romeo and Juliet, Op. 64, Act II: No. 34, Death of Mercutio 00:02:35
35 Romeo and Juliet, Op. 64, Act II: No. 35, Romeo Decides to Avenge Mercutio 00:02:00
36 Romeo and Juliet, Op. 64, Act II: No. 36, Finale 00:02:08
37 Romeo and Juliet, Op. 64, Act III: No. 37, Introduction 00:01:19
38 Romeo and Juliet, Op. 64, Act III: No. 38, Romeo and Juliet (Juliet’s Bedroom) 00:01:41
39 Romeo and Juliet, Op. 64, Act III: No. 39, Romeo Bids Juliet Farewell 00:05:32
40 Romeo and Juliet, Op. 64, Act III: No. 40, Nurse 00:01:49
41 Romeo and Juliet, Op. 64, Act III: No. 41, Juliet Refuses to Marry Paris 00:02:33
42 Romeo and Juliet, Op. 64, Act III: No. 42, Juliet Alone. Adagio 00:01:23
43 Romeo and Juliet, Op. 64, Act III: No. 43, Interlude. Adagio 00:01:27
44 Romeo and Juliet, Op. 64, Act III: No. 44, At Friar Laurence’s Cell 00:05:01
45 Romeo and Juliet, Op. 64, Act III: No. 45, Interlude. L’istesso tempo 00:01:36
46 Romeo and Juliet, Op. 64, Act III: No. 46, Juliet’s Room 00:02:50
47 Romeo and Juliet, Op. 64, Act III: No. 47, Juliet Alone. Andante 00:04:18
48 Romeo and Juliet, Op. 64, Act III: No. 48, Aubade (Morning Serenade) 00:02:18
49 Romeo and Juliet, Op. 64, Act III: No. 49, Dance of the Girls with Lilies 00:01:59
50 Romeo and Juliet, Op. 64, Act III: No. 50, At Juliet’s Bedside 00:02:03
51 Romeo and Juliet, Op. 64, Act IV: No. 51, Juliet’s Funeral 00:06:02
52 Romeo and Juliet, Op. 64, Act IV: No. 52, Death of Juliet 00:03:38

专辑简介

以华丽之声,重温经典芭蕾舞剧的炽热与柔情。f Rossini\’s works, whose scores have been covered over by inherited errors for over a century. Getting rid of the additions which have, quite wrongly, become traditional, means restoring certain interruptions and the fine instrumentation of the period; and above all, singing and playing without exaggerations, thanks to an innate sense for the theatre. It\’s a spot of spring cleaning which has restored the youth of the 24-year-old composer\’s masterpiece.

Bravo, signor barbiere, ma bravo! It is a dream record, with singers who are well-versed in the repertoire. Everyone is right where they need to be, from Teresa Berganza\’s wiley and cheeky Rosina, to the refined and hard-working Figaro played by Hermann Prey, via Luigi Alva\’s frivolous Count and the utterly ridiculous Basilio played by the outrageous Paolo Montarsolo. We\’re amused by their antics, as we admire the well-oiled and unstoppable machine of Rossini\’s theatre, under the unceasingly inventive and thrilling baton of Claudio Abbado.

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