目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Violin Sonata No. 5 in F Major, Op. 24 “Spring”: I. Allegro | 00:09:45 |
| 2 | Violin Sonata No. 5 in F Major, Op. 24 “Spring”: II. Adagio molto espressivo | 00:05:31 |
| 3 | Violin Sonata No. 5 in F Major, Op. 24 “Spring”: III. Scherzo. Allegro molto – Trio | 00:01:17 |
| 4 | Violin Sonata No. 5 in F Major, Op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | 00:06:45 |
| 5 | Violin Sonata No. 9 in A Major, Op. 47 “Kreutzer”: I. Adagio sostenuto – Presto | 00:14:13 |
| 6 | Violin Sonata No. 9 in A Major, Op. 47 “Kreutzer”: II. Andante con variazioni | 00:15:19 |
| 7 | Violin Sonata No. 9 in A Major, Op. 47 “Kreutzer”: III. Finale. Presto | 00:08:31 |
| 8 | Violin Sonata No. 3 in E-Flat Major, Op. 12 No. 3: I. Allegro con spirito | 00:08:53 |
| 9 | Violin Sonata No. 3 in E-Flat Major, Op. 12 No. 3: II. Adagio con molto espressione | 00:05:58 |
| 10 | Violin Sonata No. 3 in E-Flat Major, Op. 12 No. 3: III. Rondo. Allegro molto | 00:04:14 |
专辑简介
Alena Baeva and Vadym Kholodenko are starting their recording of Beethoven\’s complete sonatas for violin and piano. Alena is recognised as a versatile violinist with a magnetic presence and now performs with the greatest orchestras and conductors, while Vadym has been one of the most impressive pianists of his generation since winning the gold medal at the 2013 Van Cliburn Competition. For more than ten years, they have formed a close-knit and highly sought-after duo (both on and off stage).
The three sonatas featured on this recording (Op. 12 No. 3, Op. 24 “Spring” and Op. 47 “Kreutzer”) were composed between 1797 and 1803, a period that brought Beethoven both his first recognition on the European stage and the first signs of his deafness… Baeva and Kholodenko used the 2020 edition by Bärenreiter and carried out in-depth research into their interpretative choices: phrasing, ornamentation and tempi are the result of this research and of sources from the period.
