目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Piano Trio No. 3 in A Minor, Op. 26：I. Allegro appassionato | 00:09:09 |
| 2 | Piano Trio No. 3 in A Minor, Op. 26：II. Presto | 00:04:17 |
| 3 | Piano Trio No. 3 in A Minor, Op. 26：III. Très lent | 00:09:12 |
| 4 | Piano Trio No. 3 in A Minor, Op. 26：IV. Allegro molto | 00:06:12 |
| 5 | Piano Trio in G Major, L. 5：I. Andantino con moto allegro | 00:07:50 |
| 6 | Piano Trio in G Major, L. 5：II. Scherzo – Intermezzo. Moderato con allegro | 00:03:04 |
| 7 | Piano Trio in G Major, L. 5：III. Andante espressivo | 00:03:39 |
| 8 | Piano Trio in G Major, L. 5：IV. Finale. Appassionato | 00:05:14 |
| 9 | Soir – Matin, Op. 76：I. Soir. Andante cantabile | 00:04:03 |
| 10 | Soir – Matin, Op. 76：II. Matin. Andantino | 00:02:40 |
| 11 | Barcarolle in E-flat Major, Op. 71：Barcarolle in E-flat Major, Op. 71 | 00:04:28 |
| 12 | Violin Sonata in G Minor, L. 140：I. Allegro vivo | 00:04:53 |
| 13 | Violin Sonata in G Minor, L. 140：II. Intermède. Fantastique et léger | 00:04:12 |
| 14 | Violin Sonata in G Minor, L. 140：III. Finale. Très animé | 00:04:23 |
| 15 | Cello Sonata in D Minor, L. 135：I. Prologue. Lent, sostenuto e molto risoluto | 00:04:18 |
| 16 | Cello Sonata in D Minor, L. 135：II. Sérénade. Modérément animé | 00:03:18 |
| 17 | Cello Sonata in D Minor, L. 135：III. Finale. Animé, léger et nerveux | 00:03:42 |
| 18 | Sonata for Violin and Cello in A Minor, M. 73：I. Allegro | 00:04:48 |
| 19 | Sonata for Violin and Cello in A Minor, M. 73：II. Très vif | 00:03:36 |
| 20 | Sonata for Violin and Cello in A Minor, M. 73：III. Lent | 00:05:47 |
| 21 | Sonata for Violin and Cello in A Minor, M. 73：IV. Vif, avec entrain | 00:05:58 |
| 22 | Piano Trio in A Minor, M. 67：I. Modéré | 00:09:23 |
| 23 | Piano Trio in A Minor, M. 67：II. Pantoum. Assez vif | 00:04:13 |
| 24 | Piano Trio in A Minor, M. 67：III. Passacaille. Très large | 00:07:00 |
| 25 | Piano Trio in A Minor, M. 67：IV. Finale. Animé | 00:05:17 |
专辑简介
In a programme teeming with contrasts and discoveries, the Trio Wanderer explores the many different faces of French chamber music around the year 1900. From the ardent lyricism of Lalo to the shimmering refinement of Ravel, via the freshness of the young Debussy and the poetry of Mel Bonis, each work reveals some unusual facet of this golden age, creating a wondrous panorama that combines neglected treasures with pillars of the repertoire.
