目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Symphony No. 1 in C Major, Op. 21 I. Adagio molto – Allegro con brio | 00:09:05 |
| 2 | Symphony No. 1 in C Major, Op. 21 II. Andante cantabile con moto | 00:07:46 |
| 3 | Symphony No. 1 in C Major, Op. 21 III. Menuetto. Allegro molto e vivace | 00:03:58 |
| 4 | Symphony No. 1 in C Major, Op. 21 IV. Finale. Adagio – Allegro molto e vivace | 00:05:47 |
| 5 | Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” I. Allegro con brio | 00:16:41 |
| 6 | Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” II. Marcia funebre. Adagio assai | 00:14:21 |
| 7 | Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” III. Scherzo. Allegro vivace | 00:05:19 |
| 8 | Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” IV. Finale. Allegro molto | 00:11:17 |
| 9 | Symphony No. 2 in D Major, Op. 36 I. Adagio molto – Allegro con brio | 00:11:44 |
| 10 | Symphony No. 2 in D Major, Op. 36 II. Larghetto | 00:11:02 |
| 11 | Symphony No. 2 in D Major, Op. 36 III. Scherzo. Allegro | 00:03:33 |
| 12 | Symphony No. 2 in D Major, Op. 36 IV. Allegro molto | 00:06:19 |
| 13 | Symphony No. 7 in A Major, Op. 92 I. Poco sostenuto – Vivace | 00:13:25 |
| 14 | Symphony No. 7 in A Major, Op. 92 II. Allegretto | 00:07:47 |
| 15 | Symphony No. 7 in A Major, Op. 92 III. Presto – Assai meno presto | 00:09:11 |
| 16 | Symphony No. 7 in A Major, Op. 92 IV. Allegro con brio | 00:08:02 |
| 17 | Symphony No. 4 in B-Flat Major, Op. 60 I. Adagio – Allegro vivace | 00:10:34 |
| 18 | Symphony No. 4 in B-Flat Major, Op. 60 II. Adagio | 00:09:25 |
| 19 | Symphony No. 4 in B-Flat Major, Op. 60 III. Menuetto. Allegro vivace | 00:05:17 |
| 20 | Symphony No. 4 in B-Flat Major, Op. 60 IV. Allegro ma non troppo | 00:06:26 |
| 21 | Symphony No. 5 in C Minor, Op. 67 I. Allegro con brio | 00:06:40 |
| 22 | Symphony No. 5 in C Minor, Op. 67 II. Andante con moto | 00:08:49 |
| 23 | Symphony No. 5 in C Minor, Op. 67 III. Scherzo. Allegro | 00:04:41 |
| 24 | Symphony No. 5 in C Minor, Op. 67 IV. Allegro | 00:10:28 |
| 25 | Symphony No. 6 in F Major, Op. 68 “Pastoral” I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | 00:11:15 |
| 26 | Symphony No. 6 in F Major, Op. 68 “Pastoral” II. Szene am Bach. Andante molto moto | 00:11:37 |
| 27 | Symphony No. 6 in F Major, Op. 68 “Pastoral” III. Lustiges Zusammensein der Landleute. Allegro | 00:04:37 |
| 28 | Symphony No. 6 in F Major, Op. 68 “Pastoral” IV. Gewitter. Sturm. Allegro | 00:03:29 |
| 29 | Symphony No. 6 in F Major, Op. 68 “Pastoral” V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | 00:09:43 |
| 30 | Symphony No. 8 in F Major, Op. 93 I. Allegro vivace e con brio | 00:09:11 |
| 31 | Symphony No. 8 in F Major, Op. 93 II. Allegretto scherzando | 00:04:07 |
| 32 | Symphony No. 8 in F Major, Op. 93 III. Tempo di Menuetto | 00:04:48 |
| 33 | Symphony No. 8 in F Major, Op. 93 IV. Allegro vivace | 00:07:33 |
| 44 | Symphony No. 9 in D Minor, Op. 125 “Choral” I. Allegro ma non troppo, un poco maestoso | 00:14:58 |
| 35 | Symphony No. 9 in D Minor, Op. 125 “Choral” II. Molto vivace – Presto | 00:13:17 |
| 36 | Symphony No. 9 in D Minor, Op. 125 “Choral” III. Adagio molto e cantabile – Andante moderato | 00:13:15 |
| 37 | Symphony No. 9 in D Minor, Op. 125 “Choral” IV. Finale. Presto – Allegro assai – O Freunde, nicht diese Töne! (Ode to Joy) | 00:22:42 |
专辑简介
In celebration of Herbert Blomstedt’s 90th Birthday in July 2017, Accentus Music releases a new Beethoven cycle that captures the spirit of the long-standing partnership between the legendary conductor laureate and the Gewandhausorchester Leipzig. All nine symphonies, released in a box set containing five CDs, are live recordings made at the Leipzig Gewandhaus between May 2014 and March 2017.
Blomstedt\’s interpretations of Beethoven are based on a highly responsible handling of the scores and this conductor’s deep love of the truth, in which everything that is superimposed and overtly effective is fundamentally removed. At the same time however, the performances embrace the ethical conscience of the artist with his deep, almost seismographic musical sensibility and a high expressivity.
