目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Prelude in G Minor, BuxWV 163 | 00:07:30 |
| 2 | Fantasia in G Minor, BWV 917 | 00:02:21 |
| 3 | Capriccio in B-Flat Major, BWV 992 “Sopra la lontananza del fratello dilettissimo”: I. Arioso adagio | 00:02:25 |
| 4 | Capriccio in B-Flat Major, BWV 992 “Sopra la lontananza del fratello dilettissimo”: II. Ist eine Vorstellung unterschiedlicher Casuum | 00:01:28 |
| 5 | Capriccio in B-Flat Major, BWV 992 “Sopra la lontananza del fratello dilettissimo”: III. Adagiosissimo | 00:02:47 |
| 6 | Capriccio in B-Flat Major, BWV 992 “Sopra la lontananza del fratello dilettissimo”: IV. Allhier kommen die Freunde | 00:00:47 |
| 7 | Capriccio in B-Flat Major, BWV 992 “Sopra la lontananza del fratello dilettissimo”: V. Aria di Postiglione: Allegro poco | 00:01:09 |
| 8 | Capriccio in B-Flat Major, BWV 992 “Sopra la lontananza del fratello dilettissimo”: VI. Fuga all’ imitazione die Posta | 00:02:24 |
| 9 | Courante in B-Flat Major | 00:01:37 |
| 10 | The Well-Tempered Clavier, Book II: Prelude and Fugue in A Major, BWV 896: I. Prelude | 00:00:50 |
| 11 | The Well-Tempered Clavier, Book II: Prelude and Fugue in A Major, BWV 896: II. Fugue | 00:02:07 |
| 12 | Suite in F-Sharp Minor: I. Allemande | 00:05:49 |
| 13 | Suite in F-Sharp Minor: II. Courante | 00:01:55 |
| 14 | Suite in F-Sharp Minor: III. Sarabande | 00:04:03 |
| 15 | Suite in F-Sharp Minor: IV. Gigue | 00:02:09 |
| 16 | Toccata in F-Sharp Minor, BWV 910 | 00:10:42 |
| 17 | Capriccio in D Major | 00:04:31 |
| 18 | Sonata in D Major, BWV 963: I. [No Name] | 00:03:40 |
| 19 | Sonata in D Major, BWV 963: II. [No Name] | 00:00:55 |
| 20 | Sonata in D Major, BWV 963: III. Fuga | 00:01:59 |
| 21 | Sonata in D Major, BWV 963: IV. Adagio | 00:00:53 |
| 22 | Sonata in D Major, BWV 963: V. Thema all’ Imitatio Galina Cuccu | 00:02:22 |
| 23 | Auf meinen lieben Gott | 00:01:30 |
| 24 | Toccata in G Major | 00:07:35 |
专辑简介
The ‘Juvenilia’ programme centres around the early works of Johann Sebastian Bach. While much attention is given to his later works, his youthful keyboard compositions remain vastly underappreciated, being seldom performed and even more seldom recorded. Despite this, they exhibit a richness of inventiveness, youthful spirit and experimentation, while simultaneously foreshadowing the compositional hallmarks of his mature style. This album contains early compositions by Bach as well as pieces by Dietrich Buxtehude, Johann Adam Reincken and Georg Böhm, who had a significant impact on Bach’s artistic development and musical identity. The programme is rounded off by two anonymous and never before recorded pieces from the Andreas Bach Buch.
