目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Symphony No. 8 in E-Flat Major, Pt. 1 “Veni, creator spiritus”: I. Veni, creator spiritus | 00:01:31 |
| 2 | Symphony No. 8 in E-Flat Major, Pt. 1 “Veni, creator spiritus”: II. Imple superna gratia | 00:04:45 |
| 3 | Symphony No. 8 in E-Flat Major, Pt. 1 “Veni, creator spiritus”: III. Infirma nostri corporis | 00:06:34 |
| 4 | Symphony No. 8 in E-Flat Major, Pt. 1 “Veni, creator spiritus”: IV. Accende lumen sensibus | 00:02:48 |
| 5 | Symphony No. 8 in E-Flat Major, Pt. 1 “Veni, creator spiritus”: V. Tu septiformis munere | 00:07:16 |
| 6 | Symphony No. 8 in E-Flat Major, Pt. 1 “Veni, creator spiritus”: VI. Gloria Patri Domino | 00:02:26 |
| 7 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: I. Waldung, sie schwankt heran | 00:13:48 |
| 8 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: II. Ewiger Wonnebrand | 00:02:04 |
| 9 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: III. Wie Felsenabgrund mir zu Füßen | 00:04:46 |
| 10 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: IV. Gerettet ist das edle Glied | 00:03:29 |
| 11 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: V. Uns bleibt ein Erdenres | 00:02:41 |
| 12 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: VI. Hier ist die Aussicht frei | 00:06:49 |
| 13 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: VII. Dir, der Unberührbaren | 00:02:36 |
| 14 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: VIII. Bei der Liebe, die den Füßen | 00:05:49 |
| 15 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: IX. Neige, neige, du Ohnegleiche | 00:04:45 |
| 16 | Symphony No. 8 in E-Flat Major, Pt. 2 “Schlussszene von Goethes Faust”: X. Komm! hebe dich zu höhern Sphären | 00:01:09 |
| 17 | Symphony No. 8 in E-Flat Major, Pt. 2 | 00:01:09 |
专辑简介
Mahler, known as “Symphony of a Thousand” for the great number of performers required, vastly more than were needed for any other symphony to that time. The work premiered September 12, 1910, in Munich to thoroughly favorable notice. With its massive performer requirements, Mahler’s Symphony No. 8 is not frequently performed; it is, instead, reserved for grand and celebratory occasions, though the composer’s own correspondence suggests that this is exactly how he intended the work to be heard.
