目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Heisei Jidai | 02:01 |
| 2 | Seventeen | 03:23 |
| 3 | Shinitakunattara Ainikite | 02:58 |
| 4 | Koibito no Subete | 03:35 |
| 5 | Tomei Kosoku Kudarisen | 03:25 |
| 6 | Shoujo (feat. Ai) | 03:10 |
| 7 | Nakuna Tokyo | 03:29 |
| 8 | Kaigansen | 03:18 |
| 9 | Aisubeki Hibi | 03:38 |
| 10 | Kimi ga Band wo Yameta Yoru | 04:01 |
专辑简介
“青き春を生き急ぐ、令和のロックスター”待望の1stアルバムリリース！
Blue Mashのライブアンセム「海岸線」、結成初期から愛され続ける「愛すべき日々」を現体制で再録を行いインディーズラストシングル「泣くな東京」に加え、青き春を歌う新曲群を収録した待望の1stアルバムists of his generation since winning the gold medal at the 2013 Van Cliburn Competition. For more than ten years, they have formed a close-knit and highly sought-after duo (both on and off stage).
The three sonatas featured on this recording (Op. 12 No. 3, Op. 24 “Spring” and Op. 47 “Kreutzer”) were composed between 1797 and 1803, a period that brought Beethoven both his first recognition on the European stage and the first signs of his deafness… Baeva and Kholodenko used the 2020 edition by Bärenreiter and carried out in-depth research into their interpretative choices: phrasing, ornamentation and tempi are the result of this research and of sources from the period.
