目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) [Live At Philharmonie, Berlin / 2012] | 00:01:44 |
| 2 | Also sprach Zarathustra, Op. 30: Von den Hinterweltlern (Live At Philharmonie, Berlin / 2012) | 00:04:02 |
| 3 | Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht (Live At Philharmonie, Berlin / 2012) | 00:02:02 |
| 4 | Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften (Live At Philharmonie, Berlin / 2012) | 00:01:59 |
| 5 | Also sprach Zarathustra, Op. 30: Das Grablied (Live At Philharmonie, Berlin / 2012) | 00:02:29 |
| 6 | Also sprach Zarathustra, Op. 30: Von der Wissenschaft (Live At Philharmonie, Berlin / 2012) | 00:04:29 |
| 7 | Also sprach Zarathustra, Op. 30: Der Genesende (Live At Philharmonie, Berlin / 2012) | 00:05:18 |
| 8 | Also sprach Zarathustra, Op. 30: Das Tanzlied (Live At Philharmonie, Berlin / 2012) | 00:08:03 |
| 9 | Also sprach Zarathustra, Op. 30: Das Nachtwandlerlied (Live At Philharmonie, Berlin / 2012) | 00:04:55 |
| 10 | Till Eulenspiegel’s Merry Pranks (Till Eulenspiegels lustige Streiche), Op. 28 (Live At Philharmonie, Berlin / 2013) | 00:15:53 |
| 11 | Don Juan, Op. 20 (Live At Philharmonie, Berlin / 2013) | 00:18:38 |
| 12 | Adagio For Strings, Op. 11: Adagio For Strings, Op. 11 No. 2 (Live At Philharmonie, Berlin / 2013) | 00:11:06 |
专辑简介
本唱片是理查·施特劳斯的交响诗《扎拉图斯特拉如是说》，卡拉扬指挥，柏林爱乐交响乐团演奏。理查·施特劳斯（Richard Strauss，1864-1949）期浪漫主义音乐的德国著名作曲家和指挥家。理查·施特劳斯晚期受李斯特、柏辽兹和瓦格纳的影响，在创作上进行了大胆的探索和追求，试图以音乐手段去表现文学故事的内容和许多抽象的事物。aul McCartney、David Foster、Larry Caelton、Stevie Wonder及Patti Austin等人共同参与，联手打造出此张划时代专辑，打开了后世音乐人的眼界，包括Beyoncé 碧昂丝, Pharrell菲董, Kendrick Lamar肯卓克拉玛与 The Weeknd威肯等人皆同声讚扬，此张专辑点亮他们音乐之路的无比启发。首支单曲Don`t Stop Till You Get Enough不仅爬昇排行冠军宝座，Michael亦以这首单曲荣获第22届葛莱美奖最佳节奏蓝调男歌手奖项；第二支单曲Rock With You亦蝉连4週冠军。
Off the Wall is the fifth studio album by the American pop musician Michael Jackson, released August 10, 1979 on Epic Records, after Jackson’s critically well received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Jackson wrote several of the songs himself, including the lead single, “Don’t Stop ’til You Get Enough”.
