目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Silla, GraunWV B:I:27, Act I Scene 1: Sinfonia | 00:09:30 |
| 2 | Silla, GraunWV B:I:27, Act I Scene 1: No, genitrice | 00:01:09 |
| 3 | Silla, GraunWV B:I:27, Act I Scene 2: Bella Ottavia che intendo? | 00:02:06 |
| 4 | Silla, GraunWV B:I:27, Act I Scene 2: Ah si cimenta un core | 00:04:26 |
| 5 | Silla, GraunWV B:I:27, Act I Scene 3: Già s’aduna | 00:00:40 |
| 6 | Silla, GraunWV B:I:27, Act I Scene 3: Caro bell’Idol mio | 00:06:24 |
| 7 | Silla, GraunWV B:I:27, Act I Scene 4: Ah qual timor | 00:00:48 |
| 8 | Silla, GraunWV B:I:27, Act I Scene 4: Non v’è sì barbaro | 00:03:52 |
| 9 | Silla, GraunWV B:I:27, Act I Scene 5: E che paventi | 00:01:03 |
| 10 | Silla, GraunWV B:I:27, Act I Scene 5: Per più sublime oggetto | 00:05:31 |
| 11 | Silla, GraunWV B:I:27, Act I Scene 6: Dunque il suo cor | 00:00:31 |
| 12 | Silla, GraunWV B:I:27, Act I Scene 6: Sol nel caro amabil volto | 00:08:05 |
| 13 | 12 Aufzüge: Fanfare | 00:01:02 |
| 14 | Silla, GraunWV B:I:27, Act I Scene 7: Alfin colla mia destra | 00:02:05 |
| 15 | Silla, GraunWV B:I:27, Act I Scene 7: Trionfar veggasi | 00:01:58 |
| 16 | Silla, GraunWV B:I:27, Act I Scene 7: Padri Coscritti | 00:02:24 |
| 17 | Silla, GraunWV B:I:27, Act I Scene 7: Perfido, sì comprendo | 00:04:04 |
| 18 | Silla, GraunWV B:I:27, Act I Scene 8: Ah per domar, signore | 00:03:32 |
| 19 | Silla, GraunWV B:I:27, Act I Scene 8: Vinci, signor | 00:05:51 |
| 20 | Silla, GraunWV B:I:27, Act I Scene 9: Ora conosci i tuoi fedeli | 00:02:35 |
| 21 | Silla, GraunWV B:I:27, Act I Scene 9: Dirò, che tu l’adori | 00:06:06 |
| 22 | Silla, GraunWV B:I:27, Act I Scene 10: Povero core | 00:04:39 |
| 23 | Silla, GraunWV B:I:27, Act I Scene 10: Vago adorato oggetto | 00:10:26 |
| 24 | Silla, GraunWV B:I:27, Act II Scene 1: Quanto tarda postumio | 00:02:52 |
| 25 | Silla, GraunWV B:I:27, Act II Scene 3: Quando potrem giammai | 00:04:02 |
| 26 | Silla, GraunWV B:I:27, Act II Scene 4: Silla di nuovo, o figlia | 00:01:36 |
| 27 | Silla, GraunWV B:I:27, Act II Scene 5: Invan mortale ardito | 00:05:21 |
| 28 | Silla, GraunWV B:I:27, Act II Scene 6: Lasciami, amico | 00:01:18 |
| 29 | Silla, GraunWV B:I:27, Act II Scene 6: Nò, nò di Libia fra l’arene | 00:03:24 |
| 30 | Silla, GraunWV B:I:27, Act II Scene 6: Non paventar | 00:00:38 |
| 31 | Silla, GraunWV B:I:27, Act II Scene 6: Dopo l’orror che desta | 00:05:32 |
| 32 | Silla, GraunWV B:I:27, Act II Scene 7: Ecco signor | 00:01:44 |
| 33 | Silla, GraunWV B:I:27, Act II Scene 8: Fra speme e timore | 00:07:16 |
| 34 | Silla, GraunWV B:I:27, Act II Scene 9: Queste, signor | 00:01:29 |
| 35 | Silla, GraunWV B:I:27, Act II Scene 9: Barbaro traditore | 00:04:09 |
| 36 | Silla, GraunWV B:I:27, Act II Scene 10: Signor, non t’irritar | 00:00:49 |
| 37 | Silla, GraunWV B:I:27, Act II Scene 10: Se l’augellin si vede | 00:07:44 |
| 38 | Silla, GraunWV B:I:27, Act II Scene 11: Ah signor, che facesti? | 00:06:57 |
| 39 | Silla, GraunWV B:I:27, Act II Scene 12: Rendimi il caro oggetto | 00:02:24 |
| 40 | Silla, GraunWV B:I:27, Act III Scene 1: Si, morir mi conviene | 00:02:45 |
| 41 | Silla, GraunWV B:I:27, Act III Scene 2: Nel reo destin crudele | 00:06:01 |
| 42 | Silla, GraunWV B:I:27, Act III Scene 3: Ottavia, entriamo | 00:00:34 |
| 43 | Silla, GraunWV B:I:27, Act III Scene 3: Parmi… ah no! | 00:05:13 |
| 44 | Silla, GraunWV B:I:27, Act III Scene 4: Ah Metello ha ragion | 00:05:38 |
| 45 | Silla, GraunWV B:I:27, Act III Scene 5: Sia questo giorno altero | 00:05:45 |
| 46 | Silla, GraunWV B:I:27, Act III Scene 6: Ah signor | 00:02:06 |
| 47 | Silla, GraunWV B:I:27, Act III Scene 8: In questo amplesso un pegno | 00:09:01 |
| 48 | Silla, GraunWV B:I:27, Act III: Final. Sinfonia | 00:01:32 |
| 49 | Silla, GraunWV B:I:27, Act III: Final. Dopo i dovuti omaggi | 00:03:19 |
| 50 | Silla, GraunWV B:I:27, Act III: Final. Roma per lui respira | 00:02:45 |
专辑简介
The 2022 Innsbruck Early Music Festival once again featured a major operatic excavation, now released on CPO: Silla by Carl Heinrich Graun. The libretto is based on a ‘piece dramatique’ written by none other than Frederick II, King of Prussia. It centers on the Roman dictator Lucius Cornelius Silla, who establishes a bloody regime of terror and finally, to everyone’s surprise, announces his abdication. Of course, Silla – as the laws of opera demand – seeks his conquests in love affairs as well. Two of the world’s best as well as most sought-after countertenors of our days: Bejun Mehta and Valer Sabadus were on stage. ‘The score is a great success, the second act with its stringent intensification easily one of the most exciting opera acts of the middle 18th century. The long rejoicing was above all for the singers, the musical performance of the Innsbruck Festival Orchestra under Alessandro De Marchi, and the joyful astonishment at a late Baroque opera that stands out fascinatingly from the bulk of creation around 1750,’ wrote the Neue Musikzeitung after the performance.
