目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Tesla Pill | 02:30 |
| 2 | Wrong Place, Wrong time | 02:57 |
| 3 | Bruce Wayne Coupe | 02:26 |
| 4 | Malice in the Palace | 02:37 |
| 5 | New Clothes | 02:14 |
| 6 | Old Shit | 02:53 |
| 7 | Listen to me | 03:14 |
| 8 | Still Grinding | 02:00 |
| 9 | IDK | 02:49 |
| 10 | BirdMan | 02:46 |
| 11 | Lose it all today | 03:41 |
专辑简介
Halfway through Diva, Jean-Jacques Beineix’s 1981 thriller about a young postman caught in a gangster plot after secretly recording a beautiful Black American opera soprano, the singer has a tough conversation with her agent. “Let them do their record, I will never sign,” she says, when she’s made aware that Taiwanese bootleggers are blackmailing her after stealing a copy of her stunning performance. Her agent snaps back: “It’s not a question of pride. So you either continue to follow your diva whims, or you act as a responsible adult and make this record.” Her situation—subject to exploitative forces beyond one’s control, the music ripped from her grasp by people clamoring for a taste of her voice—might make Veeze nod solemnly in sympathy. The Detroit rapper’s career has similarly seemed like a casualty in the battle for creative agency—one that at times he barely seems interested in fighting.























