目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Piano Concerto No. 9 in E-Flat Major, K. 271 I. Allegro | 00:10:36 |
| 2 | Piano Concerto No. 9 in E-Flat Major, K. 271 II. Andantino | 00:12:13 |
| 3 | Piano Concerto No. 9 in E-Flat Major, K. 271 III. Rondeau. Presto | 00:09:59 |
| 4 | Piano Concerto No. 22 in E-Flat Major, K. 482 I. Allegro | 00:13:39 |
| 5 | Piano Concerto No. 22 in E-Flat Major, K. 482 II. Andante | 00:09:41 |
| 6 | Piano Concerto No. 22 in E-Flat Major, K. 482 III. Finale. Allegro | 00:12:21 |
专辑简介
“莫扎特音乐最有挑战性，同时也是最有价值的点，就是我们必须去寻找每个音符的美、目的和意义。”加拿大钢琴家扬・“我们不能只靠音量、炫技，或是单纯堆砌音符来蒙混过关。所以我们必须专注于手下正在弹奏的每一个音符。”聆听他弹奏的《第九钢琴协奏曲》和《第 22 号钢琴协奏曲》，我们能感受到他对细节和精微之处的极致把控。前者写于作曲家 21 岁生日之月，后者创作于 8 年后的维也纳。两部作品有许多共通之处，比如都以降 E 大调开始和结束，都有沉思般的小调慢板乐章，钢琴的旋律线条都如歌般动人。pieces of Impressionism show the considerable impact Spanish culture had on French composers in the early 20th century.
