目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Prelude to “Antichrist”, BVN. 170:1 (Live) | 00:12:32 |
| 2 | An Alpine Symphony, Op. 64, TrV 233: Night (I) [Live] | 00:03:09 |
| 3 | An Alpine Symphony, Op. 64, TrV 233: Sunrise (Live) | 00:01:24 |
| 4 | An Alpine Symphony, Op. 64, TrV 233: The Ascent (Live) | 00:02:11 |
| 5 | An Alpine Symphony, Op. 64, TrV 233: Entering the Forest (Live) | 00:04:59 |
| 6 | An Alpine Symphony, Op. 64, TrV 233: Wandering by the Brook (Live) | 00:00:45 |
| 7 | An Alpine Symphony, Op. 64, TrV 233: At the Waterfall (Live) | 00:00:13 |
| 8 | An Alpine Symphony, Op. 64, TrV 233: Apparition (Live) | 00:00:43 |
| 9 | An Alpine Symphony, Op. 64, TrV 233: On Blooming Meadows (Live) | 00:00:55 |
| 10 | An Alpine Symphony, Op. 64, TrV 233: On the Alpine Pasture (Live) | 00:02:11 |
| 11 | An Alpine Symphony, Op. 64, TrV 233: Going Astray in Thickets and Undergrowth (Live) | 00:01:25 |
| 12 | An Alpine Symphony, Op. 64, TrV 233: On the Glacier (Live) | 00:00:57 |
| 13 | An Alpine Symphony, Op. 64, TrV 233: Dangerous Moments (Live) | 00:01:19 |
| 14 | An Alpine Symphony, Op. 64, TrV 233: On the Summit (Live) | 00:04:10 |
| 15 | An Alpine Symphony, Op. 64, TrV 233: View (Live) | 00:02:40 |
| 16 | An Alpine Symphony, Op. 64, TrV 233: Mists Arises (Live) | 00:00:16 |
| 17 | An Alpine Symphony, Op. 64, TrV 233: The Sun Gradually Becomes Obscured (Live) | 00:00:43 |
| 18 | An Alpine Symphony, Op. 64, TrV 233: Elegy (Live) | 00:01:39 |
| 19 | An Alpine Symphony, Op. 64, TrV 233: Calm Before the Storm (Live) | 00:02:21 |
| 20 | An Alpine Symphony, Op. 64, TrV 233: Thunder and Lightning, Descent (Live) | 00:03:42 |
| 21 | An Alpine Symphony, Op. 64, TrV 233: Sunset (Live) | 00:02:07 |
| 22 | An Alpine Symphony, Op. 64, TrV 233: Quiet Settles (Live) | 00:05:45 |
| 23 | An Alpine Symphony, Op. 64, TrV 233: Night (II) [Live] | 00:02:12 |
专辑简介
在这张令人惊叹的专辑中，Richard Strauss 恢弘壮丽的《阿尔卑斯山交响曲（An Alpine Symphony）》与 Rued Langgaard 的歌剧《Antichrist》交相辉映，皆为触动人心的佳作。西雅图交响乐团在 Thomas Dausgaard 的指挥下表现出了极佳状态。真正的精彩也出现在《阿尔卑斯山交响曲》中，Dausgaard 将这场登山之旅的节奏把握得极具美感。乐团中每一位成员的才华都得到了充分展示，各声部的表现都同样出色，独奏片段更是精彩绝伦。乐曲“攀登”到顶峰时，精良的录音效果锦上添花，让这场旅程显得更加灿烂辉煌。s overriding desire to make the instrument ‘sing’.
‘Performing these major works on historical instruments is not a nostalgic exercise, but an attempt to recover the music’s acoustic authenticity,’ says Baldeyrou. For the Concerto, the use of a copy of the period basset clarinet is essential in order to recreate the melodic line, tessitura and colours demanded by Mozart. Where the modern clarinet ‘homogenises’ the sound, the historical basset clarinet offers an infinite palette.
With the Kölner Akademie and leading soloists, Baldeyrou plays with the intrinsic vulnerability of the instrument and sculpts each note, bringing us as close as possible to the composer’s last creative impulse.
