目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
らしくあれ | 03:46 |
| 2 | 魔性のレディエーション | 03:42 |
| 3 | CANDY POP | 03:45 |
| 4 | にんげんもーど | 03:24 |
| 5 | 遠距離片愛 | 04:07 |
| 6 | 魔法 | 03:48 |
| 7 | ネメシス | 02:58 |
| 8 | コスモノーツ | 03:25 |
| 9 | 浪漫てぃっく! | 04:18 |
| 10 | ねがいプロローグ | 04:05 |
专辑简介
ペイトン尚未(Payton Naomi，2003年7月1日，巨蟹座，身高158cm)，是日本埼玉县出身的女性声优、偶像。 父亲来自美国俄克拉荷马州，拥有日本和美国血统。Sony Music Artists所属。X账号为：_naomi_payton_ 原文名： ペイトン尚未 英文名： Payton Naomi 昵称： Pay酱(ペイちゃん) 艺名： 御伽音イフ 出生： 2003年7月1日 日本埼玉县 血型： A 所属： Sony Music Artists (SMA VOICE)ich the early twentieth century could not get enough.
The inventive libretto by Armand Silvestre and Eugène Morand explores unusually contrasted registers: the religious, the fantastical, the sentimental and the warlike. Above all, the presence of a scene-stealing Devil, saddled with a cantankerous wife, offers the possibility of contrasting the serious (or sublime) and the comic (or grotesque). Massenet thus produced a rare example of cross-genre equilibrium, a jewel of French demi-caractère, typical of the Opéra-Comique repertory.
Although the opera renounces spoken dialogue, theatrical declamation nevertheless creeps into a few particularly successful scenes. Two magnificent baritone roles – the Marquis and the Devil – oppose each other with the full trappings of Romantic vocality, while Grisélidis makes a noble and introspective heroine, the perfect model of the French soprano.
