目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Concerto for 3 Violins in D Major, BWV 1064R – I. Allegro | 00:06:04 |
| 2 | Concerto for 3 Violins in D Major, BWV 1064R – II. Adagio | 00:06:04 |
| 3 | Concerto for 3 Violins in D Major, BWV 1064R – III. Allegro | 00:04:24 |
| 4 | Concerto for 2 Violins in D Minor, BWV 1043 – I. Vivace | 00:03:28 |
| 5 | Concerto for 2 Violins in D Minor, BWV 1043 – II. Largo ma non tanto | 00:06:20 |
| 6 | Concerto for 2 Violins in D Minor, BWV 1043 – III. Allegro | 00:04:30 |
| 7 | Orchestral Suite No. 3 in D Major, BWV 1068 – II. Air | 00:05:06 |
| 8 | Violin Concerto in A Minor, BWV 1041 – I. — | 00:03:38 |
| 9 | Violin Concerto in A Minor, BWV 1041 – II. Andante | 00:05:54 |
| 10 | Violin Concerto in A Minor, BWV 1041 – III. Allegro assai | 00:03:34 |
| 11 | Concerto for Violin & Oboe in C Minor, BWV 1060R – I. Allegro | 00:04:44 |
| 12 | Concerto for Violin & Oboe in C Minor, BWV 1060R – II. Adagio | 00:05:16 |
| 13 | Concerto for Violin & Oboe in C Minor, BWV 1060R – III. Allegro | 00:03:40 |
专辑简介
Neubrandenburg Philharmonic, Friederike Jahn, Darius Kaunas, Elsa Claveria, Frauke Tautorus, Daniel Geissperhaps controversial Schubertian who, with his favourite orchestra, set about examining everything afresh. The players he worked with in 1988 talk about the way he changed their perceptions, of discovering Schubert’s work for themselves, ignoring the accretions of previous performance tradition. Harnoncourt wanted Schubert’s music to be on the edge, to rebuild it, testing and evaluating the contribution of each instrument and for the players to take as many risks as they wanted.
