目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
The Little Consort: Suite No. 5 in E Minor: I. Pavane – Matthew Locke | 0:03:04 |
| 2 | Violin Sonata No. 5 in E Minor, C. 142: I. Adagio – Heinrich Ignaz Franz von Biber | 0:02:13 |
| 3 | Violin Sonata No. 5 in E Minor, C. 142: II. Variatio. Presto – Heinrich Ignaz Franz von Biber | 0:05:02 |
| 4 | Violin Sonata No. 5 in E Minor, C. 142: III. Aria. Variatio – Heinrich Ignaz Franz von Biber | 0:03:02 |
| 5 | Sonata for Viola da Gamba No. 2 in D Major, BWV 1028: III. Andante (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:04:02 |
| 6 | Ich armer Mensch, ich Sündenknecht, BWV 55: III. Aria. Erbarme dich! (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:04:03 |
| 7 | Violin Sonata No. 6 in C Minor, C. 143: I. — – Heinrich Ignaz Franz von Biber | 0:01:16 |
| 8 | Violin Sonata No. 6 in C Minor, C. 143: II. Passacaglia – Heinrich Ignaz Franz von Biber | 0:04:13 |
| 9 | Violin Sonata No. 6 in C Minor, C. 143: III. Adagio – Heinrich Ignaz Franz von Biber | 0:02:53 |
| 10 | Violin Sonata No. 6 in C Minor, C. 143: IV. Gavotte – Heinrich Ignaz Franz von Biber | 0:02:44 |
| 11 | Violin Sonata No. 6 in C Minor, C. 143: V. Adagio – Allegro – Heinrich Ignaz Franz von Biber | 0:03:16 |
| 12 | Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029: II. Adagio (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:05:35 |
| 13 | In allen meinen Taten, BWV 97: IV. Aria. Ich traue seiner Gnaden (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:05:19 |
| 14 | Sonata for Viola da Gamba in G Major, BWV 1027: I. Adagio (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:03:50 |
| 15 | Sonata for Viola da Gamba in G Major, BWV 1027: II. Allegro ma non tanto (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:03:31 |
| 16 | Sonata for Viola da Gamba in G Major, BWV 1027: III. Andante (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:02:30 |
| 17 | Sonata for Viola da Gamba in G Major, BWV 1027: IV. Allegro moderato (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:03:18 |
| 18 | Violin Sonata in D Major: Ciaccona – Andreas Oswald | 0:04:25 |
| 19 | Violin Sonata in A Major, BWV 1015: III. Andante un poco (Transcr. for Five-String Cello, Violin and Cello) – Johann Sebastian Bach | 0:03:07 |
专辑简介
这张专辑以五弦大提琴、小提琴与大提琴的独特编制，重新诠释了巴洛克时期的室内乐经典。马修·洛克的《小合奏组曲》与比贝尔的两首小提琴奏鸣曲（C. 142与C. 143）展现了17世纪器乐作品的丰富织体与情感深度，尤其是比贝尔《C小调第六号奏鸣曲》中的帕萨卡利亚，在五弦大提琴的演绎下更显庄重与悲悯。巴赫的维奥尔琴奏鸣曲与康塔塔咏叹调改编曲，则通过三件弦乐的对话，将原本为独奏乐器或人声创作的旋律转化为充满内省与神性的弦乐诗篇。安德烈亚斯·奥斯瓦尔德的《恰空》作为点缀，为专辑增添了一抹德奥巴洛克晚期的华丽色彩。，他最为人熟知的标志性特点就是，几乎在每张Columbia公司出版的唱片的封面都是他人头的变形画。细数一下，从1994年的处子作《Illmatic》封面上的幼年Nas到1996年专辑《It Was Written》的少年Nas画像，再从1999年专辑《I Am…The Autobiography》封套上那个化装成埃及法老的Nas到同年晚些时候的专辑《Nastradamus》的神父形象的Nas。另外2002年出版的《The Best of Nas》的封面是在《It Was Written》封面上的Nas的头上加了一个棒球帽，而2004年出版的《Illmatic》十周年特别版则是黑白相片的版本。看来设计师对Nas的包装真是用心颇为良苦。
Nas的首张专辑《Illmatic》之所以能成为经典还在于它出版的恰合时宜，当时的纽约嘻哈景线正处在一个青黄不接的时期，并且当时那些Native Tongues众神们人人都不在状态，人们正需要一个新生力量来刺激整个疲软的纽约说唱界。使者Nas适时的到来了，他正是人们需要的那个人。作为街头诗人的Nas什么都可以吟唱，街头斗士到处都是Battle的战场。而这张被称为历史上最伟大的说唱唱片之一的《Illmatic》也成为Nas最大的表演场。充满野心的“The World Is Yours”，针砭社会的“Life Is A B***ch”，或者解构纽约主义的“N.Y.,State Of Mind”等等无一不被成为时代的经典。人们高呼King Of N.Y.再次来临，而Nas之前就是说唱史上的另一个神化B.I.G.。
