目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Cello Concerto in D Major, G. 479: I. Allegro | 00:05:19 |
| 2 | Cello Concerto in D Major, G. 479: Cadenza on ‘God Bless the Child’ | 00:06:24 |
| 3 | Cello Concerto in D Major, G. 479: II. Adagio | 00:05:02 |
| 4 | Cello Concerto in D Major, G. 479: Cadenza on ‘Sur les traces de Miles Davis’ | 00:04:02 |
| 5 | Cello Concerto in D Major, G. 479: III. Allegro | 00:04:37 |
| 6 | Cello Concerto in C Major, G. 477: I. Allegro | 00:05:00 |
| 7 | Cello Concerto in C Major, G. 477: Cadenza I | 00:03:04 |
| 8 | Cello Concerto in C Major, G. 477: II. Largo | 00:04:06 |
| 9 | Cello Concerto in C Major, G. 477: Cadenza II | 00:04:13 |
| 10 | Cello Concerto in C Major, G. 477: III. Allegro | 00:04:16 |
| 11 | Cello Concerto in C Major, G. 477: Cadenza III | 00:03:26 |
| 12 | Cello Concerto in D Major, G. 476: I. Allegro | 00:06:19 |
| 13 | Cello Concerto in D Major, G. 476: Cadenza on ‘Suite italienne’ | 00:02:47 |
| 14 | Cello Concerto in D Major, G. 476: II. Largo | 00:05:00 |
| 15 | Cello Concerto in D Major, G. 476: Cadenza on ‘Un brin de bruyère à Witold’ | 00:02:42 |
| 16 | Cello Concerto in D Major, G. 476: III. Allegro piacere | 00:03:20 |
| 17 | Cello Concerto in D Major, G. 476: Cadenza on an Excerpt from ‘Alcina’ | 00:01:39 |
专辑简介
‘Why arrange Boccherini concertos? To bring out the colours, rhythms, dances, melodies and countermelodies. To reinvent our roles or to exchange them like a game, from one page to another. To make us feel as if we’re on a tightrope. To take advantage of the space of freedom provided by the cadenza to imagine little musical scenarios, stories within the story. Like dreams that have their own logic, their own timescale. So those dreams suddenly yet imperceptibly plunge us into repetitive music, a procession in Spain, a jazz cadenza, an opera… and then we emerge to be reunited with Boccherini, who seems to be the first to enjoy these escapades.’ – Sonia Wieder-Atherton
