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Hindemith, Poulenc & Bartók∶ Violin Sonatas

Hindemith, Poulenc & Bartók∶ Violin Sonatas

  • 发行:2022-05-06
  • 地区:欧美
  • 类型:纯音乐
  • 公司:Deutsche Grammophon GmbH, Berlin
  • 流派:古典
  • 格式:FLAC
  • 码率:44.1kHz/24bit HR
  • 规格:8首
  • 价格:¥128.00元

目录

# 曲目 时长

1

Violin Sonata in E Major, Op. 11 No. 1: I. Frisch (Paul Hindemith) 00:04:27
2 Violin Sonata in E Major, Op. 11 No. 1: II. Im Zeitmaß eines langsamen feierlichen Tanzes (Paul Hindemith) 00:06:09
3 Violin Sonata, FP 19: I. Allegro con fuoco (Francis Poulenc) 00:06:44
4 Violin Sonata, FP 19: II. Intermezzo (Francis Poulenc) 00:06:37
5 Violin Sonata, FP 19: III. Presto tragico (Francis Poulenc) 00:06:09
6 Violin Sonata No. 1, Sz. 75: I. Allegro appassionato (Béla Bartók) 00:14:11
7 Violin Sonata No. 1, Sz. 75: II. Adagio (Béla Bartók) 00:11:42
8 Violin Sonata No. 1, Sz. 75: III. Allegro (Béla Bartók) 00:11:05

专辑简介

The debut album from German-Spanish-Malaysion violinist Elias David Moncado focusses on works by Hindemith, Bartk, and Poulenc.

“As an artist, I find it fascinating to observe how composers reacted to current affairs: whenever they had to deal with a totalitarian regime, persecution, resistance, or exile. Each of these three composers dealt in some special way with psychological stress and anxiety in their lives. In the Poulenc sonata I find a concealed passion, harsh brutality, and overwhelming pain. The Hindemith sonata contrasts and juxtaposes sombre, dancelike, and heroic elements. The timbres in the Bartok are incredibly elaborate, and a general mood of suffering imbues the entire work.

For me, the 20th century is one of the most thrilling and drastic periods in history: this is reflected in the music. Composers took greater risks and experimented with a number of new playing techniques. I would find it hard to say which periods I generally find easier or more difficult. Each style has its own particular challenges; still, I generally manage to develop a good rapport with all the pieces I work on. Works of the 18th and 19th centuries are evidently more often performed and recorded than those of the 20th. The great number of “benchmark recordings” of works of the 18th and 19th centuries means that you tend to be compared with those interpretations and placed under greater scrutiny. Certain personal approaches adopted by famous artists have become widespread. In works of the 20th century, however, I feel a much greater artistic freedom.” (excerpt from the booklet interview)

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