目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
That Subtle Knot – I. Calm (John Casken) | 00:15:21 |
| 2 | That Subtle Knot – II. Floating (John Casken) | 00:11:08 |
| 3 | Viola Concerto, Sz. 120 (Compl. Serly) – I. Moderato (Béla Bartók) | 00:13:27 |
| 4 | Viola Concerto, Sz. 120 (Compl. Serly) – II. Adagio religioso – Allegretto (Béla Bartók) | 00:03:47 |
| 5 | Viola Concerto, Sz. 120 (Compl. Serly) – III. Allegro vivace (Béla Bartók) | 00:04:31 |
| 6 | Symphony No. 5 in C Minor, Op. 67 – I. Allegro con brio (Ludwig van Beethoven) | 00:06:49 |
| 7 | Symphony No. 5 in C Minor, Op. 67 – II. Andante con moto (Ludwig van Beethoven) | 00:08:19 |
| 8 | Symphony No. 5 in C Minor, Op. 67 – III. Scherzo. Allegro – Trio (Ludwig van Beethoven) | 00:04:47 |
| 9 | Symphony No. 5 in C Minor, Op. 67 – IV. Allegro con brio (Ludwig van Beethoven) | 00:10:33 |
专辑简介
指挥担任小提琴独奏挥别乐团,以引人注目的音乐与演绎总结十载光阴。resistance, or exile. Each of these three composers dealt in some special way with psychological stress and anxiety in their lives. In the Poulenc sonata I find a concealed passion, harsh brutality, and overwhelming pain. The Hindemith sonata contrasts and juxtaposes sombre, dancelike, and heroic elements. The timbres in the Bartok are incredibly elaborate, and a general mood of suffering imbues the entire work.
For me, the 20th century is one of the most thrilling and drastic periods in history: this is reflected in the music. Composers took greater risks and experimented with a number of new playing techniques. I would find it hard to say which periods I generally find easier or more difficult. Each style has its own particular challenges; still, I generally manage to develop a good rapport with all the pieces I work on. Works of the 18th and 19th centuries are evidently more often performed and recorded than those of the 20th. The great number of “benchmark recordings” of works of the 18th and 19th centuries means that you tend to be compared with those interpretations and placed under greater scrutiny. Certain personal approaches adopted by famous artists have become widespread. In works of the 20th century, however, I feel a much greater artistic freedom.” (excerpt from the booklet interview)























