目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
雪人 | 4:42 |
| 2 | 消失 | 4:39 |
| 3 | Bartender Angel | 3:23 |
| 4 | 风 | 4:57 |
| 5 | 偏心 | 4:03 |
| 6 | 好想谈恋爱 | 4:24 |
| 7 | 听见 | 4:44 |
| 8 | 冰淇淋的祈祷 | 4:01 |
| 9 | 晕了 | 4:08 |
| 10 | 潜意识 | 4:09 |
专辑简介
范晓萱/好想谈恋爱
虚拟或者真实,有时我们几乎就要相信她真有魔力那是种对于雨未后天就晴的不可思议网络上的风筝,天上乱飞的未知像她和自己对话的方式,那是种眼见离手的筝就要飞天的无从跟随,不思议在所有1+1=2的逻辑中在这个非圈即叉的世界里凡间的小魔女,真实的范晓萱 delivers a powerful performance of Gustav Mahler’s Symphony No. 5 in C sharp minor that commemorates the premiere performance on October 18, 1904, when Mahler conducted the Gürzenich Orchestra of Cologne. This orchestra now has Roth as its general music director, and under his care it plays passionately, as if it is channeling the spirit of its past membership, though the instrumentation sounds modern and lacks the qualities of late 19th and early 20th century instruments. For most listeners, this is probably a small matter, because Roth draws out clear sonorities and effects that are close enough to satisfy even the most demanding Mahler scholar. Roth’s interpretation is convincing overall, though he takes the famous Adagietto a little slower than Mahler intended, as ascertained from recordings by his friend and contemporary Willem Mengelberg. Even so, this is an admirable modern performance that does justice to the symphony and the traditions of the Gürzenich Orchestra, and it promises great things to come under Roth’s leadership.























