目录
| # | 曲目 |
|---|---|
|
1 |
Sonata No.1 in B Minor, BWV 1014_ I. Adagio |
| 2 | Sonata No.1 in B Minor, BWV 1014_ II. Allegro |
| 3 | Sonata No.1 in B Minor, BWV 1014_ III. Andante |
| 4 | Sonata No.1 in B Minor, BWV 1014_ IV. Allegro |
| 5 | Sonata No.2 in A Major, BWV 1015_ I. Andante |
| 6 | Sonata No.2 in A Major, BWV 1015_ II. Allegro |
| 7 | Sonata No.2 in A Major, BWV 1015_ III. Andante un poco |
| 8 | Sonata No.2 in A Major, BWV 1015_ IV. Presto |
| 9 | Sonata No.3 in E Major, BWV 1016_ I. Adagio |
| 10 | Sonata No.3 in E Major, BWV 1016_ II. Allegro |
| 11 | Sonata No.3 in E Major, BWV 1016_ III. Adagio ma non tanto |
| 12 | Sonata No.3 in E Major, BWV 1016_ IV. Allegro |
| 13 | Sonata No.4 in C Minor, BWV 1017_Siciliano_ I. Largo |
| 14 | Sonata No.4 in C Minor, BWV 1017_ II. Allegro |
| 15 | Sonata No.4 in C Minor, BWV 1017_ III. Adagio |
| 16 | Sonata No.4 in C Minor, BWV 1017_ IV. Allegro |
| 17 | Sonata No.5 in F Minor, BWV 1018_ I. Largo |
| 18 | Sonata No.5 in F Minor, BWV 1018_ II. Allegro |
| 19 | Sonata No.5 in F Minor, BWV 1018_ III. Adagio |
| 20 | Sonata No.5 in F Minor, BWV 1018_ IV. Vivace |
| 21 | Sonata No.6 in G Major, BWV 1019_ I. Allegro |
| 22 | Sonata No.6 in G Major, BWV 1019_ II. Largo |
| 23 | Sonata No.6 in G Major, BWV 1019_ III. Allegro |
| 24 | Sonata No.6 in G Major, BWV 1019_ IV. Adagio |
| 25 | Sonata No.6 in G Major, BWV 1019_ V. Allegro |
专辑简介
J S Bach Six Sonatas (BWV 1014-1019) (Violin & Piano)
Bach’s six sonatas for Violin and obbligato Harpsichord form a unified cycle. Each has its own profile and places its own demands upon the player. This new edition is largely based on Bach’s “definitive version” as captured in the manuscript copy prepared by Johann Christoph Altnickol.
However, as this source is not absolutely secure with regard to dynamics, articulation, ornamentation and titles, the editor has also drawn in earlier copies prepared by Johann Friedrich Agricola and Carl Philipp Emanuel Bach.
Substantial departures from the Altnickol MS appear on ossia staves; a list of alternative readings allows players to trace the provenance of each reading. Sonatas BWV 1018 and 1019 are accompanied by early versions illustrating the various stages that these works passed through.
Peter Wollny’s detailed preface explains the sonatas’ significance to the history of their genre and provides a rich commentary on the transmission and evaluation of the sources.
Rounding off this Urtext edition is a violin part marked up for performance purposes by Andrew Manze. Here the player will find fingerings and recommended ornaments as well as notes on performance practice.
– Score with violin and viola da gamba parts and an additional violin part prepared with fingerings and bowings by Andrew Manze
