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专辑简介

《龙图腾 怨胡 凄泣》演绎人声与器乐对话之全新人文意境。呈献传颂数千载之泱泱国乐精髓，寻回东方龙之精神象征人文高度倾三年之精力磨此剑……征服最挑剔的耳朵！创意展示传统中乐艺术观心之美，超凡脱俗之音乐团队粗心铸造开卷之作。
　　
　　证明中乐也能像西方音乐那样多元及多彩开山之作，中乐式的“心灵音乐”“现代沙发音乐”，用悠远的泱泱中乐以崭新的方式叩开您对中乐认同的心，以对话的形式将中乐中最有代表性的乐器与人声，自然乃至与器乐之间的调和，让音乐有丰富的色彩的同时又不失国乐那种意境的人文特质，让你在繁嚣压抑的都市中尽享中乐那份禅意清静。 by several contemporary poets. His principal contributor was Christian Friedrich Henrici, a poet who wrote under the name of Picander and also supplied the text for Bach’s secular Peasant Cantata (1742).

The St. Matthew Passion is divided into two parts, and its performance takes somewhat less than three hours. The first part concerns Jesus Christ’s betrayal, the Last Supper, and his prayers and arrest in Gethsemane. The second part presents the rest of the biblical story, including the Crucifixion, death, and burial of Christ. Throughout the work, there is more music for the four soloists—soprano, alto, tenor, and bass—than for the chorus. Often the chorus is called upon to present Bach’s new settings of existing chorales. Most prominent of those is the chorus “O Haupt voll Blut und Wunden” (“O Sacred Head Now Wounded”), which stands as 54th of the 68 sections.