目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Chamber Symphony in F Major, Op. 73a: I. Allegretto “Blithe Ignorance of the Future Cataclysm” (Rudolf Barshai) [Arr. of the String Quartet No. 3 in F Major, Op. 73] | 00:07:45 |
| 2 | Chamber Symphony in F Major, Op. 73a: II. Moderato con moto “Rumblings of Unrest and Anticipation” (Rudolf Barshai) [Arr. of the String Quartet No. 3 in F Major, Op. 73] | 00:05:47 |
| 3 | Chamber Symphony in F Major, Op. 73a: III. Allegro non troppo “Forces of War Unleashed” (Rudolf Barshai) [Arr. of the String Quartet No. 3 in F Major, Op. 73] | 00:04:24 |
| 4 | Chamber Symphony in F Major, Op. 73a: IV. Adagio “In Memory of the Dead” (Rudolf Barshai) [Arr. of the String Quartet No. 3 in F Major, Op. 73] | 00:06:20 |
| 5 | Chamber Symphony in F Major, Op. 73a: V. Why? and for What?” (Rudolf Barshai) [Arr. of the String Quartet No. 3 in F Major, Op. 73] | 00:10:39 |
| 6 | Chamber Symphony in D Major, Op. 83a: I. Allegretto (Rudolf Barshai) [Arr. of the String Quartet No. 4 in D Major, Op. 83] | 00:04:23 |
| 7 | Chamber Symphony in D Major, Op. 83a: II. Andantino (Rudolf Barshai) [Arr. of the String Quartet No. 4 in D Major, Op. 83] | 00:07:28 |
| 8 | Chamber Symphony in D Major, Op. 83a: III. Allegretto (Rudolf Barshai) [Arr. of the String Quartet No. 4 in D Major, Op. 83] | 00:04:52 |
| 9 | Chamber Symphony in D Major, Op. 83a: IV. Allegretto (Rudolf Barshai) [Arr. of the String Quartet No. 4 in D Major, Op. 83] | 00:11:13 |
| 10 | Presentation of the Chamber Symphony in F Major, Op. 73a | 00:04:48 |
| 11 | Presentation of the Chamber Symphony in D Major, Op. 83a | 00:04:47 |
专辑简介
洛桑室内管弦乐团成立近八十年，享有令人羡慕的声誉，曾邀请过许多伟大的艺术家作为嘉宾，从克拉拉·哈斯基尔和阿尔弗雷德·科尔托，到默里·佩拉希亚和玛莎·阿格里奇，从保罗·欣德米特到君特·万德。尽管乐团历史悠久，但仅有六位音乐总监，包括1973年至1985年的阿明·乔丹。年轻的美国指挥家约书亚·韦勒斯坦于2015年接替克里斯蒂安·扎卡赖亚斯。除了指挥技巧和对稀有曲目的兴趣外，他还热爱音乐推广。他非常受欢迎的播客《便签》以通俗易懂的方式讨论音乐。这张录音专门演绎肖斯塔科维奇的室内交响曲作品73a和83a，这两首是鲁道夫·巴尔沙伊对弦乐四重奏第3和第4号的改编。巴尔沙伊是当时最著名的中提琴家之一，是肖斯塔科维奇的朋友，两人的合作时间长且密集。这些著名四重奏的室内乐编曲为原作提供了完全不同的视角，肖斯塔科维奇本人也称赞其中一首作品“比原作更好听”。作为两部作品的补充，Joshua Weilerstein在一首额外的口语诗歌中分享了他的诠释。
