目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Cello Sonata No. 1 in F Major, Op. 5 No. 1: I. Adagio sostenuto – II. Allegro | 00:17:36 |
| 2 | Cello Sonata No. 1 in F Major, Op. 5 No. 1: III. Allegro vivace | 00:07:11 |
| 3 | Cello Sonata No. 2 in G Minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivo – II. Allegro molto più tosto presto | 00:15:53 |
| 4 | Cello Sonata No. 2 in G Minor, Op. 5 No. 2: III. Rondo. Allegro | 00:09:18 |
| 5 | Cello Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto | 00:13:10 |
| 6 | Cello Sonata No. 3 in A Major, Op. 69: II. Allegro molto | 00:05:42 |
| 7 | Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile – Allegro vivace | 00:09:01 |
| 8 | Cello Sonata No. 4 in C Major, Op. 102 No. 1 “Freje”: I. Andante – Allegro vivace | 00:07:29 |
| 9 | Cello Sonata No. 4 in C Major, Op. 102 No. 1 “Freje”: II. Adagio – Allegro vivace | 00:07:09 |
| 10 | Cello Sonata No. 5 in D Major, Op. 102 No. 2: I. Allegro con brio | 00:06:50 |
| 11 | Cello Sonata No. 5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto | 00:08:27 |
| 12 | Cello Sonata No. 5 in D Major, Op. 102 No. 2: III. Allegro – Allegro fugato | 00:04:27 |
专辑简介
Isserlis’s playing always has spirit to spare. But the fortepiano ensures an even fresher sense of discovery to his cello odyssey’ (The Guardian)
In this new chamber recording, Steven Isserlis together with his regular collaborator, fortepianist Robert Levin, presents a magisterial and long-awaited compendium of Beethoven’s complete works for cello and piano, including Beethoven’s arrangement of his Op 17 Horn Sonata. The use of the fortepiano opens up a wealth of sonic possibilities for these works.
The five Cello Sonatas span Beethoven’s compositional epochs and comprise the most important cycle of cello sonatas in the entire repertoire. Isserlis writes that the composer ‘transforms himself from confident virtuoso to supreme master of classical form, and then beyond that to a mystic exploring strange new worlds of unearthly beauty—a wondrous transfiguration’.
