目录
| # | 曲目 | 时长/大小 |
|---|---|---|
|
1 |
Winterlieder, Op. 1: No. 1, Anfang | 00:01:37 26M |
| 2 | Winterlieder, Op. 1: No. 2, Erster Schnee | 00:01:06 18M |
| 3 | Winterlieder, Op. 1: No. 3, Schnee | 00:02:17 38M |
| 4 | Winterlieder, Op. 1: No. 4, Winterwald | 00:02:41 44M |
| 5 | Winterlieder, Op. 1: No. 5, Die unerträgliche Stille | 00:02:46 45M |
| 6 | Winterlieder, Op. 1: No. 6, Am Jahresend zu singen | 00:02:44 46M |
| 7 | Winterlieder, Op. 1: No. 7, Ende | 00:01:37 26M |
| 8 | 3 Poèmes de Claudel, H. 138: No. 1, Sieste | 00:02:32 42M |
| 9 | 3 Poèmes de Claudel, H. 138: No. 2, Le delphinium | 00:01:38 28M |
| 10 | 3 Poèmes de Claudel, H. 138: No. 3, Le rendez-vous | 00:04:15 69M |
| 11 | Erlebnis | 00:06:56 116M |
| 12 | Dédicace de Pierre de Ronsard | 00:03:17 57M |
| 13 | Dämmrung senkte sich von oben, Op. 19a No. 2 | 00:02:08 36M |
| 14 | Auf meines Kindes Tod, Op. 20 No. 8 | 00:02:07 35M |
| 15 | Ergebung, Op. 30 No. 6 | 00:01:41 29M |
| 16 | Keine Rast, Op. 24b No. 7 | 00:01:46 30M |
| 17 | Vor der Ernte, Op. 6 No. 3 | 00:01:11 19M |
| 18 | Schifferliedchen, Op. 6 No. 2 | 00:02:17 39M |
| 19 | Abschied, Op. 20 No. 7 | 00:01:32 26M |
| 20 | Die Einsame, Op. 10 No. 2 | 00:01:28 24M |
| 21 | Abendlied, Op. 55 No. 12 | 00:02:17 39M |
| 22 | Nachklang, Op. 30 No. 7 | 00:02:50 40M |
专辑简介
这是一部关于瑞士作曲家们的艺术歌曲选集。选曲经过了精心而审慎的思考，而非单纯的排列组合。在这里，男高音歌唱家卢卡·伯纳德（Luca Bernard）与钢琴家汉斯·阿道弗森（Hans Adolfsen）共同演绎了这些美妙的音乐作品，其中不乏首演录音。这场独唱音乐会以作曲家汉斯·朔伊布勒（Hans Schaeuble）的《7首冬日之歌（Seven Winter Songs）》为核心，这是一首美妙的冬季抒情诗，卢卡有辨识度的声线更是赋予作品新的生命力，阿道弗森的演奏也为卢卡的歌声铺垫上恰当的底层色彩。d long-awaited compendium of Beethoven’s complete works for cello and piano, including Beethoven’s arrangement of his Op 17 Horn Sonata. The use of the fortepiano opens up a wealth of sonic possibilities for these works.
The five Cello Sonatas span Beethoven’s compositional epochs and comprise the most important cycle of cello sonatas in the entire repertoire. Isserlis writes that the composer ‘transforms himself from confident virtuoso to supreme master of classical form, and then beyond that to a mystic exploring strange new worlds of unearthly beauty—a wondrous transfiguration’.
