目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Violin Concerto in D Major, Op. 35 I. Allegro moderato | 00:18:14 |
| 2 | Violin Concerto in D Major, Op. 35 II. Canzonetta (Andante) | 00:06:03 |
| 3 | Violin Concerto in D Major, Op. 35 III. Finale (Allegro vivacissimo) | 00:09:42 |
| 4 | Violin Concerto in D Minor, Op. 47 I. Allegro moderato | 00:16:19 |
| 5 | Violin Concerto in D Minor, Op. 47 II. Adagio di molto | 00:08:10 |
| 6 | Violin Concerto in D Minor, Op. 47 III. Allegro, ma non tanto | 00:07:54 |
专辑简介
这张专辑是俄罗斯小提琴家维多利亚·穆洛娃独奏，小泽征尔指挥波士顿交响乐团，演绎柴可夫斯基和西贝柳斯的小提琴协奏曲。
这是穆洛娃录制的首张专辑，获得法国唱片大奖。她的演奏技巧娴熟，圆润丰满，虽然表面冷峻、理智但内心却仍给人以热情奔放的印象。穆洛娃的演奏在“理智”、“含蓄”中透着一种内在的激情，这种激情给予人们心灵的震慑远比那些外表张扬的演奏要深刻许多，这也使得她对这两部曲子的演绎达到了至佳之境。vincing even doubters that it could be a vehicle for serious music. He’s heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina’s Sevillana and Albeniz’s Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it’s amazing how well so many of them work on the guitar, at least under Segovia’s magic fingers. Thus the transformations of Bach’s violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn’s Op. 12 String Quartet are irresistible here. An entrancing set. –Dan Davis
